{"id":46627,"date":"2019-12-07T11:11:18","date_gmt":"2019-12-07T11:11:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-vanguardia-artistica-espanola-a-traves-de-la-critica-1912-1936\/"},"modified":"2019-12-07T11:11:18","modified_gmt":"2019-12-07T11:11:18","slug":"la-vanguardia-artistica-espanola-a-traves-de-la-critica-1912-1936","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-vanguardia-artistica-espanola-a-traves-de-la-critica-1912-1936\/","title":{"rendered":"La vanguardia artistica espa\u00f1ola a traves de la critica (1912-1936)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jaime Brihuega Sierra <\/strong><\/h2>\n<p>Estudio de la vanguardia artistica anterior a la guerra civil. Enfocado atraves de los testimonios escritos de la epoca. El primer capitulo es una reflexion metodologica.  sobre la nocion de vanguardia y sus implicaciones epistemologicas. El 2 un analisis de las plataformas basicas de la produccion artistica en la espa\u00f1a del primer tercio de siglo. El 3  nucleo del trabajo  una cronolog\u00eda de la historia de la vanguardia artistica a traves de sus hechos fundamentales. El 4  una sintesis de los rasgos fundamentales del comportamiento de los grupos vanguardistas  de sus objetivos y del alcance de sus propuestas. El 5 un analisis de textos  agrupados en tres unidades: manifiestas  textos entorno a la nocion de vanguardia y textos sobre el debate arte-compromiso politico  se incluye un apendice con cronolog\u00eda historico-cultural y una bibliografia con mas de dos mil titulos contemporaneos al tema estudiado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vanguardia artistica espa\u00f1ola a traves de la critica (1912-1936).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vanguardia artistica espa\u00f1ola a traves de la critica (1912-1936). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jaime Brihuega Sierra <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1980<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Azcarate Ristori <\/li>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio (vocal)<\/li>\n<li>Antonio Bonet Correa (vocal)<\/li>\n<li> Nieto Alcaide Victor Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jaime Brihuega Sierra Estudio de la vanguardia artistica anterior a la guerra civil. Enfocado atraves de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,2563,222],"tags":[7416,32473,109025,5273,5603],"class_list":["post-46627","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","tag-antonio-bonet-correa","tag-jaime-brihuega-sierra","tag-jose-maria-azcarate-ristori","tag-nieto-alcaide-victor-manuel","tag-perez-sanchez-alfonso-emilio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/46627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=46627"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/46627\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=46627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=46627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=46627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}