{"id":47084,"date":"2020-02-22T15:05:08","date_gmt":"2020-02-22T15:05:08","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-badajocense-de-la-primera-mitad-del-siglo-xix\/"},"modified":"2020-02-22T15:05:08","modified_gmt":"2020-02-22T15:05:08","slug":"la-pintura-badajocense-de-la-primera-mitad-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-pintura-badajocense-de-la-primera-mitad-del-siglo-xix\/","title":{"rendered":"La pintura badajocense de la primera mitad del siglo xix."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Pedraja Mu\u00f1oz <\/strong><\/h2>\n<p>La presente tesis  estudia los caracteres generales de la pintura de la baja extremadura en la segunda mitad del siglo xix  destacando el realismo y la casi ausencia del cuadro de historia. Analiza la vida  formacion artistica obra y catalogo de felipe checa; autor de magnificas naturalezas muertas y de interiores con figura de tema clerical; asi mismo nicolas megias  formado en Madrid roma y paris y que destaca con sus retratos y composiciones como el sitio de zaragoza  segunda medalla de la nacional  laboremus  etc. Igualmente se analiza su gran labor como acuarelista. El estudio se completa con los nombres totalmente ineditos de rebollo  carmona barneto  caballero  candelas (padre e hijo)  leonardo rubio  pizarro  jimenez dualde  con lo que se completa el panorama pictorico de esa epoca.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura badajocense de la primera mitad del siglo xix.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura badajocense de la primera mitad del siglo xix. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Pedraja Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1980<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Banda Vargas Antonio  De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Banda Vargas Antonio  De La <\/li>\n<li>Jos\u00e9 Guerrero Lovillo (vocal)<\/li>\n<li>Jos\u00e9 Hernande Diaz (vocal)<\/li>\n<li>Rafael Sanchez Mantero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Pedraja Mu\u00f1oz La presente tesis estudia los caracteres generales de la pintura de la baja extremadura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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