{"id":4720,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/la-voz-poetica-de-john-ashbery-una-paradojica-bipolaridad\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"la-voz-poetica-de-john-ashbery-una-paradojica-bipolaridad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-voz-poetica-de-john-ashbery-una-paradojica-bipolaridad\/","title":{"rendered":"La voz poetica de john ashbery: una paradojica bipolaridad."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Alberola Crespo M. Nieves <\/strong><\/h2>\n<p>Tras establecer un marco historico-cultural de la epoca en la que encuadrar a john ashbery, que abarca novedades contemporaneas de musica y pintura con repercusiones en el ambito de la poesia, he comenzado por estudiar su obra mas experimental, escogiendo aquellos poemas que mas polemica han desatado por la concepcion de nuevas tecnicas a la hora de escribir. He seguido con su manifiesto poetico three poems, cuyas tecnicas analizo y cuya tematica someto a contrastes en paralelo.  adentrandome en los procesos metanarrativos de su escritura, cuya complejidad requiere multiples lecturas, he abordado el tema de la importancia de los clasicos y la inclusion de la obra de este autor en el canon.  termino mi recorrido con poemas de retorcida y sofisticada retorica que permiten detectar sus experimentos linguisticos. Como influencias de este autor en la poesia norteamericana actual, he incluido un breve comentario sobre los language poets.  finalmente, he desarrollado las conclusiones que me parecian dignas de mencion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La voz poetica de john ashbery: una paradojica bipolaridad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La voz poetica de john ashbery: una paradojica bipolaridad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Alberola Crespo M. Nieves <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alicante<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda  Del Carmen Africa Vidal Claramonte<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Ramon L\u00f3pez Ortega <\/li>\n<li>Manuel Brito (vocal)<\/li>\n<li>Kevin Power (vocal)<\/li>\n<li>Francisco Garcia Tortosa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alberola Crespo M. Nieves Tras establecer un marco historico-cultural de la epoca en la que encuadrar a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[19166,148,147,2965,628],"tags":[19198,658,19201,19200,19199,11021],"class_list":["post-4720","post","type-post","status-publish","format-standard","hentry","category-alicante","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-teoria-analisis-y-critica-literarios","tag-alberola-crespo-m-nieves","tag-francisco-garcia-tortosa","tag-kevin-power","tag-manuel-brito","tag-maria-del-carmen-africa-vidal-claramonte","tag-ramon-lopez-ortega"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/4720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=4720"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/4720\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=4720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=4720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=4720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}