{"id":47980,"date":"2020-07-21T05:48:22","date_gmt":"2020-07-21T05:48:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-formas-del-discurso-en-la-lengua-medieval\/"},"modified":"2020-07-21T05:48:22","modified_gmt":"2020-07-21T05:48:22","slug":"las-formas-del-discurso-en-la-lengua-medieval","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/las-formas-del-discurso-en-la-lengua-medieval\/","title":{"rendered":"Las formas del discurso en la lengua medieval"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Luis Giron Alconchel <\/strong><\/h2>\n<p>Las formas del discurso  procedimientos de la lengua de la narracion que reproducen situaciones comunicativas de los personajes  se realizan en un contexto reproductor unidad textual integrada por un marco reproductor y un discurso reproducido. El marco se construye con se\u00f1ales demarcativas e indicios externos; el discurso  con rasgos distintivos e indicios internos. El contexto manifiesta una doble dimension semantica: el decir (dimension del narrador) y el mostrar (la de los personajes). Las caracteristicas de cada genero narrativo determinan las clases de contextos. En el cantar de mio cid aparecen contextos uniformes  pluriformes y de dialogo. En el contexto uniforme solo se realiza una determinada forma del discurso (directo  indirecto o indirecto libre). En el contexto pluriforme se realizan distintas formas del discurso que reproducen una situacion comunicativa inserta en un resumen epico. El contexto de dialogo integrado principalmente por formas directas  reproduce dialogos insertos en escenas epicas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las formas del discurso en la lengua medieval<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las formas del discurso en la lengua medieval <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Luis Giron Alconchel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1981<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Lapesa Melgar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Alonso Zamora Vicente <\/li>\n<li>Fernando Lazaro Carreter (vocal)<\/li>\n<li>Rafael Lapesa Melgar (vocal)<\/li>\n<li>Jos\u00e9 Jes\u00fas Bustos Tovar (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Luis Giron Alconchel Las formas del discurso procedimientos de la lengua de la narracion que reproducen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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