{"id":48095,"date":"2020-08-09T09:15:03","date_gmt":"2020-08-09T09:15:03","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-critica-de-poesia-en-el-ensayo-de-octavio-paz\/"},"modified":"2020-08-09T09:15:03","modified_gmt":"2020-08-09T09:15:03","slug":"la-critica-de-poesia-en-el-ensayo-de-octavio-paz","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/la-critica-de-poesia-en-el-ensayo-de-octavio-paz\/","title":{"rendered":"La critica de poesia en el ensayo de octavio paz."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rodriguez Santiba\u00f1ez Marta Gladis <\/strong><\/h2>\n<p>Esta tesis estudia tres aspectos de la obra ensayistica de octavio paz: su reflexion estetica acerca de las condiciones objetivas del poema; la estructura del ensayo y la modalidad de critica de poesia  expuesta en los ensayos de cuadrivio cada uno de estos aspectos se trata en una perspectiva teorica y se plantea metodologicamente. La primera investigacion es una interpretacion semiologica de su teoria del poema. La segunda  caracteriza el ensayo de octavio paz. La ultima fase final del proceso analitico  propone una forma de descripcion de su modalidad critica en cuadrivio. En este ultimo trabajo se llega a la conclusion que la modalidad critica de octavio paz consiste en una combinacion de perspectiva (termino propuesto por el autor.) Y hermeneutica o  en otros terminos  el codigo de la tradicion de la ruptura y la interpretacion dirigida por dicho codigo. Este se expone en libros de reflexion estetica. De o. Paz.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La critica de poesia en el ensayo de octavio paz.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La critica de poesia en el ensayo de octavio paz. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rodriguez Santiba\u00f1ez Marta Gladis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1981<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Sanchez Casta\u00f1er Mena Francisco<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Sanchez-casta\u00f1er Y Mena Francisco <\/li>\n<li> Sainz De Medrano Arce Luis (vocal)<\/li>\n<li>Jos\u00e9 Simon Diaz (vocal)<\/li>\n<li>Andr\u00e9s Amor\u00f3s Guardiola (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rodriguez Santiba\u00f1ez Marta Gladis Esta tesis estudia tres aspectos de la obra ensayistica de octavio paz: su [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,59,62,980,628],"tags":[6400,718,112512,5871,787,810],"class_list":["post-48095","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-linguistica","category-linguistica-sincronica","category-semiologia","category-teoria-analisis-y-critica-literarios","tag-andres-amoros-guardiola","tag-jose-simon-diaz","tag-rodriguez-santibanez-marta-gladis","tag-sainz-de-medrano-arce-luis","tag-sanchez-castaner-mena-francisco","tag-sanchez-castaner-y-mena-francisco"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/48095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=48095"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/48095\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=48095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=48095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=48095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}