{"id":48319,"date":"2020-09-16T20:59:46","date_gmt":"2020-09-16T20:59:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/musica-barroca-andaluza-en-las-colegiatas-de-osuna-y-olivares\/"},"modified":"2020-09-16T20:59:46","modified_gmt":"2020-09-16T20:59:46","slug":"musica-barroca-andaluza-en-las-colegiatas-de-osuna-y-olivares","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/musica-barroca-andaluza-en-las-colegiatas-de-osuna-y-olivares\/","title":{"rendered":"Musica barroca andaluza en las colegiatas de osuna y olivares"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Inmaculada C\u00e1rdenas Serv\u00e1n <\/strong><\/h2>\n<p>Es un estudio historico de la vida musical en estas dos colegiatas: osuna y olivares. Un primer intento de aproximacion al tema mas amplio de las colegiatas  que aun no habia sido tratado en los aspectos musicales.  basado totalmente en fuentes ineditas tanto historicas como musicales. Incluye en el segundo volumen la catalogacion de los archivos musicales del convento de la encarnacion de osuna y el de la colegiata de olivares  en los que se descubrieron partituras de musicos como jose y su hijo blasco de nebra  del Valenciano rabassa  de antonio ripa y otros aun no conocidos del publico como juan valdivia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Musica barroca andaluza en las colegiatas de osuna y olivares<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Musica barroca andaluza en las colegiatas de osuna y olivares <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Inmaculada C\u00e1rdenas Serv\u00e1n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1981<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Enrique Sanchez Pedrote<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Enrique Sanchez Pedrote <\/li>\n<li>Jos\u00e9 Luis Comellas Garc\u00eda-llera (vocal)<\/li>\n<li>Emilio G\u00f3mez Pi\u00f1ol (vocal)<\/li>\n<li>Miguel Querol Gavalda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Inmaculada C\u00e1rdenas Serv\u00e1n Es un estudio historico de la vida musical en estas dos colegiatas: osuna [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9132,10715,1111],"tags":[10774,112697,11264,112696,108782],"class_list":["post-48319","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-musica-y-musicologia","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-emilio-gomez-pinol","tag-enrique-sanchez-pedrote","tag-jose-luis-comellas-garcia-llera","tag-maria-inmaculada-cardenas-servan","tag-miguel-querol-gavalda"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/48319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=48319"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/48319\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=48319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=48319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=48319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}