{"id":48920,"date":"2020-12-25T01:29:45","date_gmt":"2020-12-25T01:29:45","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-discurso-cinematografico-poetica-del-texto-audiovisual\/"},"modified":"2020-12-25T01:29:45","modified_gmt":"2020-12-25T01:29:45","slug":"el-discurso-cinematografico-poetica-del-texto-audiovisual","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pedagogia\/el-discurso-cinematografico-poetica-del-texto-audiovisual\/","title":{"rendered":"El discurso cinematografico (poetica del texto audiovisual)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Jos\u00e9 Garc\u00eda-noblejas Liniers <\/strong><\/h2>\n<p>El proceso expresivo audiovisual es presentado en su dimension narrativa  apreciando que su estudio se perfila con estabilidad si se toman en cuenta los parametros que ofrece la actualizacion de la retorica y la poetica clasicas  a partir de las precisiones aristotelicas. En esta perspectiva la nocion de sentido dada por frege sirve de punto de partida para la determinacion conceptual del discurso cinematografico  cuando el enunciado audiovisual es entendido como un texto. El caracter inminente del discurso cinematografico se aprecia en la dimension de la metalepsis diegetica mientras que el caracter referencial queda reflejado en la denominacion metalepsis textual. Se presta especial atencion al caracter que toman los aspectos especificos de la expresion audiovisual en cuanto quedan asimilados a la lexis de la poetica aristotelica  mas alla de su inicial dimension linguistica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El discurso cinematografico (poetica del texto audiovisual).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El discurso cinematografico (poetica del texto audiovisual). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Jos\u00e9 Garc\u00eda-noblejas Liniers <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1981<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfonso Nieto Tamargo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Alfonso Nieto Tamargo <\/li>\n<li>Alejandro Llano Cifuentes (vocal)<\/li>\n<li>Jos\u00e9 Luis Martinez Albertos (vocal)<\/li>\n<li>Antonio Lara Garcia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Jos\u00e9 Garc\u00eda-noblejas Liniers El proceso expresivo audiovisual es presentado en su dimension narrativa apreciando que su [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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