{"id":49439,"date":"2021-03-19T21:52:57","date_gmt":"2021-03-19T21:52:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/series-metricas-de-transicion-en-la-lirica-de-sofocles\/"},"modified":"2021-03-19T21:52:57","modified_gmt":"2021-03-19T21:52:57","slug":"series-metricas-de-transicion-en-la-lirica-de-sofocles","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/series-metricas-de-transicion-en-la-lirica-de-sofocles\/","title":{"rendered":"Series metricas de transicion en la lirica de sofocles"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pedro Carrion Lopez <\/strong><\/h2>\n<p>La tesis ofrece (p. 1-702) un analisis completo de los coros de las siete tragedias sofocleas: revision del texto (presentado segun colometria y periodolog\u00eda mayor y con amplio aparato critico)  analisis metricoestilistico y  en su marco  estudio de los casos de transicion. Sigue (p. 703-891) una caracterizacion ritmica de obras y partes liricas  y descripcion  clasificacion cuantificacion y distribucion de fenomenos de transicion.  abre el estudio una introduccion (p. I-lxxv) donde se exponen su objeto  limites y caracter descriptivo; los criterios a que se ajusta el analisis textual y metrico-estilistico; y las directrices teorico-metodologicas del estudio especifico de las series de transicion  tras ofrecer un breve panorama historico-critico de dicha cuestion  en cuyo marco se inserta el trabajo. Cierran la obra (p. 892-1080) dos apendices (pasajes con transicion  y concordancia texto\/ediciones basicas)  bibliografia e indice general.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Series metricas de transicion en la lirica de sofocles<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Series metricas de transicion en la lirica de sofocles <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pedro Carrion Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1982<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Sanchez Lasso De La Vega Jose<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Manuel Fernandez-galiano Fernandez <\/li>\n<li>Sebastian Marine Bigorra (vocal)<\/li>\n<li> Sanchez Lasso De La Vega Jos\u00e9 (vocal)<\/li>\n<li>Luis Gil Hernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pedro Carrion Lopez La tesis ofrece (p. 1-702) un analisis completo de los coros de las siete [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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