{"id":49466,"date":"2021-03-24T06:58:42","date_gmt":"2021-03-24T06:58:42","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/dibujos-valencianos-del-siglo-xviii-en-el-museo-de-bellas-artes-de-valencia\/"},"modified":"2021-03-24T06:58:42","modified_gmt":"2021-03-24T06:58:42","slug":"dibujos-valencianos-del-siglo-xviii-en-el-museo-de-bellas-artes-de-valencia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/dibujos-valencianos-del-siglo-xviii-en-el-museo-de-bellas-artes-de-valencia\/","title":{"rendered":"Dibujos Valencianos del siglo xviii en el museo de bellas artes de Valencia."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Adela Espinos Diaz <\/strong><\/h2>\n<p>El presente trabajo consiste en el analisis y estudio cientifico de los fondos de dibujos Valencianos del siglo xviii que pertenecientes a la academia de san carlos de Valencia conserva en la actualidad el museo de bellas artes de dicha ciudad. El conjunto bastante homogeneo en su totalidad esta formado por una serie de obras que se pueden dividir en dos apartados claramente diferenciados.  por un lado hay que destacar los dibujos realizados por los artistas que nacidos durante la primera mitad del siglo  seran los promotores en 1754 de la academia de santa barbara  que unos a\u00f1os despues  en 1768 se denominaria de san carlos se trata fundamentalmente de dibujos previos a sus realizaciones pictoricas. A partir de1768 con la creacion de la academia el dibujo Valenciano cambiara ostensiblemente para ce\u00f1irse por completo a las normas academicas  con la consiguiente perdida de su espontaneidad al tener que ce\u00f1irse a unas reglas determinadas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Dibujos Valencianos del siglo xviii en el museo de bellas artes de Valencia.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Dibujos Valencianos del siglo xviii en el museo de bellas artes de Valencia. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Adela Espinos Diaz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1982<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Manuel Pita Andrade <\/li>\n<li> Morena Bartolome Aurea De La (vocal)<\/li>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio (vocal)<\/li>\n<li>Francisco Jos\u00e9 Portela Sandoval (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Adela Espinos Diaz El presente trabajo consiste en el analisis y estudio cientifico de los fondos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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