{"id":49587,"date":"2021-04-13T03:38:33","date_gmt":"2021-04-13T03:38:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-gotica-toledana-anterior-a-1345-el-treccento\/"},"modified":"2021-04-13T03:38:33","modified_gmt":"2021-04-13T03:38:33","slug":"la-pintura-gotica-toledana-anterior-a-1345-el-treccento","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-pintura-gotica-toledana-anterior-a-1345-el-treccento\/","title":{"rendered":"La pintura gotica toledana anterior a 1345: el treccento."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Piquero Lopez  Mar\u00eda  Angeles <\/strong><\/h2>\n<p>Se estudia la pintura trecentista toledana  foco que adquiere una importancia considerable en el panorama de la pintura gotica de la segunda mitad del s.Xiv y principios del xv. Surge una gran escuela  dependiente de un taller toledano  cuyo centro fundamental se situa en la catedral  desde donde se irradian influencias hacia toledo y su provincia. Se analiza la repercusion de esta escuela toledana en otras regiones y los puntos de contacto con otras manifestaciones artisticas: la miniatura o la literatura del momento. Dentro de este taller toledano  se estudian otras obras castellanas pertenecientes a la diocesis de la epoca  asi como a territorios limitrofes que mantuvieron relaciones con toledo (valladolid  cuenca). Por ultimo se incluyen como posible proyeccion de este taller  obras andaluzas  de caracter religioso y profano. En todas las obras estudiadas  se ponen de manifiesto las fuertes influencias italianas  recibidas tanto del interior  como del exterior de la peninsula  estudiandose de cerca la obra de artistas italianos  fruto de las relaciones con italia en estos a\u00f1os.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura gotica toledana anterior a 1345: el treccento.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura gotica toledana anterior a 1345: el treccento. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Piquero Lopez  Mar\u00eda  Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1982<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mar\u00eda Azcarate Ristori<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Azcarate Ristori <\/li>\n<li>Miguel \u00e1ngel Ladero Quesada (vocal)<\/li>\n<li>Jos\u00e9 Manuel Pita Andrade (vocal)<\/li>\n<li> Morena Bartolome Aurea De La (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Piquero Lopez Mar\u00eda Angeles Se estudia la pintura trecentista toledana foco que adquiere una importancia considerable en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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