{"id":50189,"date":"2021-06-06T20:48:58","date_gmt":"2021-06-06T20:48:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-lenguaje-del-poder-en-shakespeare\/"},"modified":"2021-06-06T20:48:58","modified_gmt":"2021-06-06T20:48:58","slug":"el-lenguaje-del-poder-en-shakespeare","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-lenguaje-del-poder-en-shakespeare\/","title":{"rendered":"El lenguaje del poder en shakespeare"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Elisenda Castro Escario <\/strong><\/h2>\n<p>Se estudia la imagen del poder en las obras historicas de shakespeare  asi como el lenguaje que este autor impuso a la monarquia. La presencia en el escenario de reyes-ricardo ii  enrique v  ricardo iii  rey duncan  rey hamlet&#8230;-Dan a sus obras un especial significado donde el tema de la conspiracion esta siempre presente. Frente al lenguaje del orden-representado por el poder-el de la conspiracion. Pero no solo se puede aplicar este esquema en las obras historicas sino que en las tragedias o comedias existen identicas motivaciones. En unas a nivel social-como en romeo and juliet-en otras a nivel familiar-como en king lear. El lenguaje del poder es una adulacion hacia la monarquia que hizo shakespeare para asi dar a entender que el lenguaje del monarca era una realidad intocable. Pero el pueblo  tantas veces significado en los espacios laterales del escenario  van a iniciar su critica. Shakespeare nos hizo una insuperable metafora orden-caos-orden que lo mismo la vemos en julius cesar como en macbeth. El lenguaje expresa en su teatro la maxima realidad expresiva y dramatica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El lenguaje del poder en shakespeare<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El lenguaje del poder en shakespeare <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Elisenda Castro Escario <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1982<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Candido Perez Gallego<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Candido Perez Gallego <\/li>\n<li>Manuel \u00e1ngel Conejero-tom\u00e1s Dionis-bayer (vocal)<\/li>\n<li>Eulalia Rodon Vinue (vocal)<\/li>\n<li>Carmen Olivares Rivera (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Elisenda Castro Escario Se estudia la imagen del poder en las obras historicas de shakespeare asi como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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