{"id":5052,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/bases-estetiques-i-dramatiques-de-la-poesia-escenica-de-joan-brossa\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"bases-estetiques-i-dramatiques-de-la-poesia-escenica-de-joan-brossa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/bases-estetiques-i-dramatiques-de-la-poesia-escenica-de-joan-brossa\/","title":{"rendered":"\u00abbases estetiques i dramatiques de la poesia escenica de joan brossa\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduard Planas Sanchez <\/strong><\/h2>\n<p>Nuestra investigacion se centra en la obra teatral de joan brossa; autor contemporaneo de reconocido valor por la riqueza de sus aportaciones, que dimensiona su expresion poetica y literaria hacia diferentes ambitos y lenguajes artisticos proximos a la plastica y al teatro:  poesia visual, poemas objeto, poemas transitables, o los mismos poemas escenicos que constituyen de -manera especial- el objetivo primordial de nuestro estudio. Asi pues, desde el analisis de estas obras, por si mismas, y en relacion a las esteticas y a los planteamientos dramaticos de nuestro tiempo, constatamos que es caracteristica de su \u00abpoesia escenica\u00bb el acercamiento a diversas manifestaciones y practicas teatrales -mayormente de origen popular- desde las cuales el poeta, recuperando la tradicion, y a su vez, incorporando el caracter innovador y experimental propio de las primeras y de las segundas vanguardias de nuestro siglo que guia su formulacion, lleva a cabo una produccion tan extensa y compleja, como concreta y coherente.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abbases estetiques i dramatiques de la poesia escenica de joan brossa\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abbases estetiques i dramatiques de la poesia escenica de joan brossa\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduard Planas Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ricardo Salvat Ferr\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jose Romeu Figueras <\/li>\n<li>Cesar Oliva Olivares (vocal)<\/li>\n<li>Arnau Puig Grau (vocal)<\/li>\n<li>Isidre Valles Rovira (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduard Planas Sanchez Nuestra investigacion se centra en la obra teatral de joan brossa; autor contemporaneo de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,104,713,222,1110,1111],"tags":[15645,1871,20283,20284,19016,1873],"class_list":["post-5052","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-arnau-puig-grau","tag-cesar-oliva-olivares","tag-eduard-planas-sanchez","tag-isidre-valles-rovira","tag-jose-romeu-figueras","tag-ricardo-salvat-ferre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=5052"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5052\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=5052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=5052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=5052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}