{"id":50784,"date":"2021-06-07T22:19:02","date_gmt":"2021-06-07T22:19:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-dramatica-de-max-aub-analisis-de-teatrillo-y-diversiones\/"},"modified":"2021-06-07T22:19:02","modified_gmt":"2021-06-07T22:19:02","slug":"la-obra-dramatica-de-max-aub-analisis-de-teatrillo-y-diversiones","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-obra-dramatica-de-max-aub-analisis-de-teatrillo-y-diversiones\/","title":{"rendered":"La obra dramatica de max aub (analisis de teatrillo y diversiones)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Moraleda Garcia M. Pilar <\/strong><\/h2>\n<p>Dentro de la extensa obra literaria de max aub (paris 1903-mejico  1972) el teatro supone una parcela menos conocida que la narrativa  pero no inferior en cuanto a calidad e importancia. Entre las distintas etapas de evolucion tematica y estetica que presenta  las obras que se agrupan en  teatrillo  y  diversiones  ofrecen rasgos perculiares  ya desde los titulos que las encuadran. Son en su mayoria  obras en un acto que -salvo comedia que no acaba- no rozan los temas politicos tan presentes en otras piezas del autor  sino que se cinen a situaciones y problemas cotidianos. El analisis tipologico de personajes muestra el predominio de los seres en crisis existencias. Son  por tanto  piezas introspectivas generalmente monosituacionales  conpocas concesiones al espectaculo  y en las que las tensiones de la accion vienen expresadas por medio de un lenguaje dramatico en el que abundan el monologo y el parlamento largo  pese a lo cual  aub evita caer en lo excesivamente discursivo gracias a su dominio de los recursos linguisticos y expresivos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra dramatica de max aub (analisis de teatrillo y diversiones).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra dramatica de max aub (analisis de teatrillo y diversiones). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Moraleda Garcia M. Pilar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00f3rdoba<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1983<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Abad Gomez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Manuel Cuenca Toribio <\/li>\n<li>Leonardo Romero Tovar (vocal)<\/li>\n<li>Antonio Narbona Jim\u00e9nez (vocal)<\/li>\n<li>Rogelio Reyes Cano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Moraleda Garcia M. Pilar Dentro de la extensa obra literaria de max aub (paris 1903-mejico 1972) el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,973,628],"tags":[21472,2226,112922,112214,114766,10868],"class_list":["post-50784","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-cordoba","category-teoria-analisis-y-critica-literarios","tag-antonio-narbona-jimenez","tag-jose-manuel-cuenca-toribio","tag-leonardo-romero-tovar","tag-manuel-abad-gomez","tag-moraleda-garcia-m-pilar","tag-rogelio-reyes-cano"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/50784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=50784"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/50784\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=50784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=50784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=50784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}