{"id":51179,"date":"2021-08-06T12:17:14","date_gmt":"2021-08-06T12:17:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/les-objets-textuels-et-signification-dans-le-theatre-de-fernando-arrabal\/"},"modified":"2021-08-06T12:17:14","modified_gmt":"2021-08-06T12:17:14","slug":"les-objets-textuels-et-signification-dans-le-theatre-de-fernando-arrabal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/les-objets-textuels-et-signification-dans-le-theatre-de-fernando-arrabal\/","title":{"rendered":"Les objets textuels et signification dans le theatre de fernando arrabal"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Agustin Neira Calvo <\/strong><\/h2>\n<p>El teatro contemporaneo refleja la importancia que los propios objetos tienen en nuestra sociedad. Con los objetos se crean en el teatro mundos como juegos improvisados de ni\u00f1os (grotowski). El objeto en el teatro llega a convertirse en un verdadero discurso: es icono indicio y simbolo de algo; metonimia y metafora al tiempo. El teatro de arrabal presenta un mundo rico en objetos; vemos un claro dominio de los objetos huecos:  jaulas  esferas  feretros  mascaras  vehiculos de viaje de todo tipo  etc. Su presencia crea en el lector\/espectador una sensacion de violencia en una atmosfera de rito y ceremonia. No solo son producto de la reflexion; observamos en ellos muchas de las caracteristicas y mecanismos de la formacion del sue\u00f1o:  libre asociacion  desplazamiento  figuracion condensacion; mundo onirico y mundo del inconsciente.  autor plenamente barroco  arrabal es vitalista y libertino (en el sentido mas profundo del termino).  arrabal utiliza los objetos para expresar ese mundo. En ellos se manifiesta su deseo vehemente de asumir el exceso  la desmesura.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Les objets textuels et signification dans le theatre de fernando arrabal<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Les objets textuels et signification dans le theatre de fernando arrabal <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Agustin Neira Calvo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1983<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Cantera  Ortiz De Urbina<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Daniel Poyan Diaz <\/li>\n<li>Jes\u00fas Cantera  Ortiz De Urbina (vocal)<\/li>\n<li>Jos\u00e9 Fradejas Lebrero (vocal)<\/li>\n<li>Angel Chiclana Cardona (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Agustin Neira Calvo El teatro contemporaneo refleja la importancia que los propios objetos tienen en nuestra sociedad. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628],"tags":[115074,24482,815,889,716],"class_list":["post-51179","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","tag-agustin-neira-calvo","tag-angel-chiclana-cardona","tag-daniel-poyan-diaz","tag-jesus-cantera-ortiz-de-urbina","tag-jose-fradejas-lebrero"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/51179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=51179"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/51179\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=51179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=51179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=51179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}