{"id":51625,"date":"2021-10-18T01:13:37","date_gmt":"2021-10-18T01:13:37","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/iconografia-de-las-postillae-litteralis-in-vetus-in-novum-testamentum-de-nicolas-de-lyra-1332-1660\/"},"modified":"2021-10-18T01:13:37","modified_gmt":"2021-10-18T01:13:37","slug":"iconografia-de-las-postillae-litteralis-in-vetus-in-novum-testamentum-de-nicolas-de-lyra-1332-1660","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/iconografia-de-las-postillae-litteralis-in-vetus-in-novum-testamentum-de-nicolas-de-lyra-1332-1660\/","title":{"rendered":"Iconografia de las postillae litteralis in vetus in novum testamentum de nicolas de lyra (1332-1660)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Laguna Paul M. Teresa <\/strong><\/h2>\n<p>Esta tesis doctoral aborda el estudio iconografico de las cuarenta y tres ilustraciones que realizo nicolas de lyra en 1332 para su comentario al antiguo y nuevo testamento asi como las variantes encontradas en los codices e impresos de esta misma obra. Dichas ilustraciones recogen las fuentes iconograficas  catolicas y judias  anteriores y con el punto de partida de la ilustracion biblica a partir del ultimo cuarto del siglo xv  observandose influencias en la ilustracion luterana y catolica  asi como en numerosos autores que han tratado los diversos santuarios del antiguo testamento. Sus repercusiones igualmente quedan evidentes en algunos codices medievales y la vigencia de sus representaciones y arquitectura dibujada llega hasta muy entrado el siglo xviii.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Iconografia de las postillae litteralis in vetus in novum testamentum de nicolas de lyra (1332-1660)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Iconografia de las postillae litteralis in vetus in novum testamentum de nicolas de lyra (1332-1660) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Laguna Paul M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1983<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Castillo Utrilla M. Jos\u00e9 Del<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Castillo Utrilla M. Josefa Del <\/li>\n<li>Jos\u00e9 Guerrero Lovillo (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Hernandez Diaz (vocal)<\/li>\n<li>Luis Nu\u00f1ez Contreras (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Laguna Paul M. Teresa Esta tesis doctoral aborda el estudio iconografico de las cuarenta y tres ilustraciones [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,1014,222,10715,1111],"tags":[26485,115438,108218,9516,115437,108257],"class_list":["post-51625","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-del-arte","category-historias-especializadas","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-castillo-utrilla-m-jose-del","tag-castillo-utrilla-m-josefa-del","tag-jose-guerrero-lovillo","tag-jose-maria-hernandez-diaz","tag-laguna-paul-m-teresa","tag-luis-nunez-contreras"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/51625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=51625"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/51625\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=51625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=51625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=51625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}