{"id":52524,"date":"2022-03-14T22:06:00","date_gmt":"2022-03-14T22:06:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/introduccion-al-analisis-de-la-escultura-desde-su-practica-concreta-y-la-historia-real\/"},"modified":"2022-03-14T22:06:00","modified_gmt":"2022-03-14T22:06:00","slug":"introduccion-al-analisis-de-la-escultura-desde-su-practica-concreta-y-la-historia-real","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/introduccion-al-analisis-de-la-escultura-desde-su-practica-concreta-y-la-historia-real\/","title":{"rendered":"Introduccion al analisis de la escultura desde su practica concreta y la historia real"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carmen Osuna Luque <\/strong><\/h2>\n<p>Se trata de un analisis de la escultura partiendo de la hipotesis de que esta es, por un lado, el resultado de unas condiciones concretas, historicas, y tambien de unos impulsos inconscientes, de un deseo y un placer en el propio acto creativo. Un tipo de analisis materialista, en un sentido tanto marxista como freudiano.  el principal objetivo es intentar fusionar la practica escultorica cotidiana con un conocimiento general, historico de la escultura. Especialmente de la escultura contemporanea. Con el fin de obtener un conocimiento mas amplio de la escultura y del arte en general, que nos ayude a los que trabajamos en la practica artistica y en su ense\u00f1anza. Las herramientas de trabajo han sido la propia experiencia escultorica y las teorias de importantes pensadores.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Introduccion al analisis de la escultura desde su practica concreta y la historia real<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Introduccion al analisis de la escultura desde su practica concreta y la historia real <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carmen Osuna Luque <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1984<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Galera Andreu Pedro A.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Carlos Rodr\u00edguez G\u00f3mez <\/li>\n<li> Ara\u00f1o Gisbert Juan  Carlos (vocal)<\/li>\n<li>Miguel Barranco L\u00f3pez (vocal)<\/li>\n<li> Fuentes Del Olmo Miguel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmen Osuna Luque Se trata de un analisis de la escultura partiendo de la hipotesis de que 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