{"id":52836,"date":"2018-03-09T22:40:30","date_gmt":"2018-03-09T22:40:30","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-guerrilla-del-celuloide-resistencia-estetica-y-militancia-politica-en-el-cine-espanol-1967-1982\/"},"modified":"2018-03-09T22:40:30","modified_gmt":"2018-03-09T22:40:30","slug":"la-guerrilla-del-celuloide-resistencia-estetica-y-militancia-politica-en-el-cine-espanol-1967-1982","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-guerrilla-del-celuloide-resistencia-estetica-y-militancia-politica-en-el-cine-espanol-1967-1982\/","title":{"rendered":"La guerrilla del celuloide, resistencia estetica y militancia politica en el cine espa\u00f1ol (1967 1982)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Roberto Arnau Rosello <\/strong><\/h2>\n<p>La  presente investigaci\u00f3n trata de acercarse al estudio del v\u00ednculo entre creaci\u00f3n f\u00edlmica y militancia pol\u00edtica, concret\u00e1ndose en las cinematograf\u00edas militantes que se desarrollan un periodo particular de la historia que se extiende de 1967 a 1982 y que coincide con el agotamiento del r\u00e9gimen y el momento de la transici\u00f3n  hacia la democracia. La estructura se organiza en tres partes principales: la primera que abarca el primer y el segundo cap\u00edtulo se centra en establecer un marco te\u00f3rico que cimenta el acercamiento posterior a las cinematograf\u00edas de intervenci\u00f3n pol\u00edtica y repasar la historia del cine militante con el objetivo de situar las experiencias espa\u00f1olas en relaci\u00f3n al corpus de producciones internacionales. La segunda parte, que comprende los cap\u00edtulos tercero y cuarto, se dedica a ubicar el contexto en espa\u00f1a en la \u00e9poca que nos ocupa, al tiempo que al estudio y an\u00e1lisis de algunos de los colectivos y cineastas militantes, con el objeto de verificar sus modos de funcionamiento y el alcance de sus propuestas, la tercera parte se concreta en el an\u00e1lisis f\u00edlmico de algunos de los films m\u00e1s representativos del periodo, a trav\u00e9s del cual se pretenden verificar o desmentir las hip\u00f3tesis de trabajo que se han manejado durante esta investigaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La guerrilla del celuloide, resistencia estetica y militancia politica en el cine espa\u00f1ol (1967 1982)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La guerrilla del celuloide, resistencia estetica y militancia politica en el cine espa\u00f1ol (1967 1982) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Roberto Arnau Rosello <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Jaume i de castell\u00f3n<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/05\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Marzal Felici Jos\u00e9 Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael Lopez lita <\/li>\n<li>Juan  Miguel Company ramon (vocal)<\/li>\n<li>eduardo Rodriguez merchan (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Bernardo paniagua (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Roberto Arnau Rosello La presente investigaci\u00f3n trata de acercarse al estudio del v\u00ednculo entre creaci\u00f3n f\u00edlmica y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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