{"id":52961,"date":"2006-07-06T00:00:00","date_gmt":"2006-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-teoria-del-arte-de-arthur-danto-de-los-objetos-indiscernibles-a-los-significados-encarnados\/"},"modified":"2006-07-06T00:00:00","modified_gmt":"2006-07-06T00:00:00","slug":"la-teoria-del-arte-de-arthur-danto-de-los-objetos-indiscernibles-a-los-significados-encarnados","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/la-teoria-del-arte-de-arthur-danto-de-los-objetos-indiscernibles-a-los-significados-encarnados\/","title":{"rendered":"La teor\u00eda del arte de arthur danto: de los objetos indiscernibles a los significados encarnados"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Josefa Alcaraz Le\u00f3n <\/strong><\/h2>\n<p>El objetivo principal es el de analizar y evaluar la teor\u00eda del arte de arthur c. Danto. Para ello se examina, en el cap\u00edtulo i, el uso y validez del experimento de los indiscernibles que a. Danto ha propuesto como m\u00e9todo para afrontar el problema de la definici\u00f3n del arte, prestando especial atenci\u00f3n al debate en torno a la concepci\u00f3n de la percepci\u00f3n que subyace a la formulaci\u00f3n del experimento. En particular se examina el debate entre internismo y externismo perceptivo. Asimismo se discute la pertinencia del experimento de los indiscernibles para un planteamiento general sobre la definici\u00f3n de lo art\u00edstico teniendo en cuenta especialmente las cr\u00edticas de r. Wollheim.  en el capitulo ii, se examina la noci\u00f3n de \u00abmundo del arte\u00bb avanzada por danto en sus primeras tentativas de definir lo art\u00edstico. En particular se presta atenci\u00f3n a su papel ontol\u00f3gico -en tanto que determina qu\u00e9 sea lo art\u00edstico- y a su papel epistemol\u00f3gico -en tanto que determina las interpretaci\u00f3n correcta de la obra de arte. Asimismo se presta atenci\u00f3n a las nociones de identificaci\u00f3n art\u00edstica y predicado art\u00edstico introducidas por danto en posteriores desarrollos de su teor\u00eda.  en los capitulos iii y iv se analizan las dos condiciones propuestas por danto para definir el arte: la condicion de \u00abser sobre algo\u00bb -aboutness- y la condici\u00f3n de \u00abencarnar un significado\u00bb -embodiment-.  ambos capitulos comparten un misma estructura. En primer lugar, se trata de precisar el contenido de estas nociones y, en segundo lugar, se examina su validez frente a posibles contraejemplos.  finalmente se eval\u00faa en t\u00e9rminos generales la noci\u00f3n de \u00absignificado encarnado\u00bb -embodied meaning- y su relaci\u00f3n con la concepci\u00f3n est\u00e9tica de lo art\u00edstico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La teor\u00eda del arte de arthur danto: de los objetos indiscernibles a los significados encarnados<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La teor\u00eda del arte de arthur danto: de los objetos indiscernibles a los significados encarnados <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Josefa Alcaraz Le\u00f3n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisca P\u00e9rez Carre\u00f1o<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: valeriano Bozal fern\u00e1ndez <\/li>\n<li>gerard Vilar roca (vocal)<\/li>\n<li>robert Hopkins (vocal)<\/li>\n<li>Francisco Jarauta marion (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Josefa Alcaraz Le\u00f3n El objetivo principal es el de analizar y evaluar la teor\u00eda del arte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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