{"id":53004,"date":"2006-09-06T00:00:00","date_gmt":"2006-09-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-fracaso-existencial-en-los-personajes-de-la-narrativa-de-emilia-pardo-bazan\/"},"modified":"2006-09-06T00:00:00","modified_gmt":"2006-09-06T00:00:00","slug":"el-fracaso-existencial-en-los-personajes-de-la-narrativa-de-emilia-pardo-bazan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/el-fracaso-existencial-en-los-personajes-de-la-narrativa-de-emilia-pardo-bazan\/","title":{"rendered":"El fracaso existencial en los personajes de la narrativa de emilia pardo baz\u00e1n"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Javier L\u00f3pez Quint\u00e1ns <\/strong><\/h2>\n<p>Esta tesis pretende analizar las caracter\u00edsticas de los personajes fracasados de la obra de pardo baz\u00e1n desde presupuestos estructuralistas, en concreto a partir del esquema actancial propuesto por greimas. Este esquema considera al personaje como entidad aut\u00f3noma, que puede ser sistematizada a trav\u00e9s de determinadas funciones. De esta manera, se rompe con an\u00e1lisis subjetivos y parciales que sol\u00edan supeditar a los personajes a elementos tem\u00e1ticos. El primer cap\u00edtulo de la tesis se centra en 15 novelas extensas, para lo que se propone tres etapas que analizan la evoluci\u00f3n de actantes fracasados: inicial, de consolidaci\u00f3n y de decadencia. El segundo cap\u00edtulo analiza veinte y una novelas cortas; en \u00e9l se sistematizan los rasgos fundamentales que permiten la caracterizaci\u00f3n de los personajes abocados a la desgracia (esquema anal\u00e9pticos, objetos simb\u00f3licos a trav\u00e9s de descripciones pormenorizadas, la figura del narrador testigo, el peso de narradores homodieg\u00e9ticos..). El tercer cap\u00edtulo se ocupa de 265 cuentos, y propone una clasificaci\u00f3n de este sector de su producci\u00f3n: se distingue de esta forma relatos centrados en las peripecias de un narrador homodieg\u00e9tico; a partir de ah\u00ed se delimitan grupos dispares (relatos con narrador heterodieg\u00e9tico; cuentos centrados en perturbaciones y neurastenias del protagonista; textos en los que sobresale cierto protagonismo colectivo..). Con las conclusiones, se pretende destacar que pardo baz\u00e1n opta por un esquema de personajes que repite en el tiempo, influida por corrientes literarias dispares (romanticismo, naturalismo, decadentismo, modernismo, simbolismo ..) Y pro las exigencias y gustos del p\u00fablico lector. As\u00ed se van delimitando una serie de constantes que permiten hablar de cierto t\u00f3pico en el dise\u00f1o de los personajes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El fracaso existencial en los personajes de la narrativa de emilia pardo baz\u00e1n<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El fracaso existencial en los personajes de la narrativa de emilia pardo baz\u00e1n <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Javier L\u00f3pez Quint\u00e1ns <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Gonz\u00e1lez Herr\u00e1n Jos\u00e9 Manuel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: nelly Clemessy <\/li>\n<li>ermitas Penas varela (vocal)<\/li>\n<li>enrique Rubio cremades (vocal)<\/li>\n<li>olivia Rodr\u00edguez gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Javier L\u00f3pez Quint\u00e1ns Esta tesis pretende analizar las caracter\u00edsticas de los personajes fracasados de la obra de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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