{"id":53043,"date":"2006-09-06T00:00:00","date_gmt":"2006-09-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-mural-en-el-nuevo-reino-de-granada\/"},"modified":"2006-09-06T00:00:00","modified_gmt":"2006-09-06T00:00:00","slug":"la-pintura-mural-en-el-nuevo-reino-de-granada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/la-pintura-mural-en-el-nuevo-reino-de-granada\/","title":{"rendered":"La pintura mural en el nuevo reino de granada"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Manuel Almansa Moreno <\/strong><\/h2>\n<p>El estudio de la pintura mural es relativamente reciente; ello es debido a varios factores, especialmente al lento proceso de localizaci\u00f3n o descubrimiento de la misma, ya que buena parte permanece a\u00fan oculta. Es precisamente el desconocimiento de esta manifestaci\u00f3n art\u00edstica el elemento clave de su conservaci\u00f3n. Como sabemos, la pintura mural es un arte en grave peligro de desaparici\u00f3n por su propia naturaleza asociada a la arquitectura que sirve de soporte: el implacable deterioro del tiempo, los movimiento s\u00edsmicos, la acci\u00f3n del hombre y la destrucci\u00f3n indiscriminada en aras de la modernidad son causas de dicha p\u00e9rdida. el presente trabajo de investigaci\u00f3n se ha estructurado en una serie de cinco bloques en donde se analizan las principales manifestaciones de la pintura mural en el hist\u00f3rico territorio  de la nueva granada (actual colombia), as\u00ed como aspectos relativos a la sociedad que cre\u00f3 dichas obras art\u00edsticas.      los temas tratados son los siguientes:     1,- introducci\u00f3n hist\u00f3rica.     2,- la pintura mural, la piel de la arquitectura.     3,- un arte para la evangelizaci\u00f3n.     4,- pintura mural y arquitectura conventual.     5,- pintura mural en \u00e1mbitos dom\u00e9sticos.     se contempla el trabajo con un inventario de pinturas murales cuya cronolog\u00eda se sit\u00faa entre los siglos xvi y principios del xix.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura mural en el nuevo reino de granada<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura mural en el nuevo reino de granada <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Manuel Almansa Moreno <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pablo de olavide<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Arsenio Moreno Mendoza<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Galera andreu pedro a. <\/li>\n<li>Juan Marchena fernandez (vocal)<\/li>\n<li>Antonio  Juan Calvo castellon (vocal)<\/li>\n<li>Fernando Quiles Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Manuel Almansa Moreno El estudio de la pintura mural es relativamente reciente; ello es debido a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1014,2563,37286],"tags":[21893,115063,94702,21833,117058,8769],"class_list":["post-53043","post","type-post","status-publish","format-standard","hentry","category-historia-del-arte","category-historia-del-arte-de-los-siglos-xix-y-xx","category-pablo-de-olavide","tag-antonio-juan-calvo-castellon","tag-arsenio-moreno-mendoza","tag-fernando-quiles-garcia","tag-galera-andreu-pedro-a","tag-jose-manuel-almansa-moreno","tag-juan-marchena-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/53043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=53043"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/53043\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=53043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=53043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=53043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}