{"id":5328,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/imagens-da-vida-presenca-poesia-e-artes-plasticas\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"imagens-da-vida-presenca-poesia-e-artes-plasticas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/imagens-da-vida-presenca-poesia-e-artes-plasticas\/","title":{"rendered":"\u00abimagens da vida (presenca: poesia e artes plasticas)\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Amaral Antunes Vaz M. Isabel Do <\/strong><\/h2>\n<p>La tesis aborda la problematica de la literatura (particularmente de la poesia) y de las artes plasticas en la revista portuguesa \u00abpresenca\u00bb (1927-1940), que da titulo a toda una generacion, paralela, en tantos aspectos, a la espa\u00f1ola del 27.Consta de tres partes:  historia de la revista (i), arte poetico y artes plasticas (ii) y julio (saul dias) \/ jose regio, o el pintor-poeta y el poeta-pintor.Tras pasar revista al papel historico desempe\u00f1ado por \u00abpresenca\u00bb en la cultura portuguesa como fuente de textos literarios e criticos, asi como medio difusor de las literaturas extranjeras y de la problematica del arte en general (el subtitulo de la revista, bien significativo: \u00abfolha de arte el critica\u00bb), se propone evidenciar el paralelismo existente entre la poesia y las artes plasticas (pintura, sobre todo) a traves de temas y motivos comunes privilegiados por autores de esta generacion, para concluir con un estudio monografico de dos individualidades significativas dentro del \u00abprograma\u00bb de la revista, que combinaron en su obra creacion literaria y creacion pictorica, con preferencias opuestas: los hermanos jose maria dos reis pereira (\u00abjose regio\u00bb) y julio maria (\u00abjulio\u00bb\/\u00bbsaul dias\u00bb).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abimagens da vida (presenca: poesia e artes plasticas)\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abimagens da vida (presenca: poesia e artes plasticas)\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Amaral Antunes Vaz M. Isabel Do <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pilar Vazquez Cuesta<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Benito Varela Jacome <\/li>\n<li>Nicolas Extremera Tapias (vocal)<\/li>\n<li>Manuel Machado Alvaro (vocal)<\/li>\n<li>\u00e1ngel Marcos De Dios (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amaral Antunes Vaz M. Isabel Do La tesis aborda la problematica de la literatura (particularmente de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,2965,977,628],"tags":[21029,19062,3269,21031,21030,19046],"class_list":["post-5328","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-estilo-y-estetica-literarios","category-santiago-de-compostela","category-teoria-analisis-y-critica-literarios","tag-amaral-antunes-vaz-m-isabel-do","tag-angel-marcos-de-dios","tag-benito-varela-jacome","tag-manuel-machado-alvaro","tag-nicolas-extremera-tapias","tag-pilar-vazquez-cuesta"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=5328"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5328\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=5328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=5328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=5328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}