{"id":53305,"date":"2018-03-09T22:41:00","date_gmt":"2018-03-09T22:41:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-grutescos-de-la-comarca-de-la-loma-proporcion-y-calidades-esteticas-en-la-primera-mitad-del-quinientos\/"},"modified":"2018-03-09T22:41:00","modified_gmt":"2018-03-09T22:41:00","slug":"los-grutescos-de-la-comarca-de-la-loma-proporcion-y-calidades-esteticas-en-la-primera-mitad-del-quinientos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/los-grutescos-de-la-comarca-de-la-loma-proporcion-y-calidades-esteticas-en-la-primera-mitad-del-quinientos\/","title":{"rendered":"Los grutescos de la \u00abcomarca de la loma\u00bb: proporci\u00f3n y calidades est\u00e9ticas en la primera mitad del quinientos"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Rodr\u00edguez Exp\u00f3sito <\/strong><\/h2>\n<p>El dibujo ser\u00e1 considerado el eje articulador del proceso a lo largo de toda la fase de investigaci\u00f3n. la investigaci\u00f3n del an\u00e1lisis formal de los iconogramas grutescos permite reafirmar la l\u00f3gica estructural del mismo, as\u00ed como su esencia formal. la metodolog\u00eda compend\u00eda un repertorio de ejemplos contextualizados, la investigaci\u00f3n requiere an\u00e1lisis continuos de tipo anat\u00f3mico, t\u00e9cnico y anal\u00f3gicos, insertando el contenido en otras \u00e1reas culturales. los dibujos d.56, d.127, d.330 y d.342 representan ejemplos de configuraciones con un potencial sem\u00e1ntico de base teol\u00f3gica, filos\u00f3fica y mitol\u00f3gica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los grutescos de la \u00abcomarca de la loma\u00bb: proporci\u00f3n y calidades est\u00e9ticas en la primera mitad del quinientos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los grutescos de la \u00abcomarca de la loma\u00bb: proporci\u00f3n y calidades est\u00e9ticas en la primera mitad del quinientos <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Rodr\u00edguez Exp\u00f3sito <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> G\u00f3mez De La Torre Juan  Jos\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Borr\u00e1s verdera <\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<li>Jaime Gil ar\u00e9valo (vocal)<\/li>\n<li>olegario Mart\u00edn s\u00e1nchez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Rodr\u00edguez Exp\u00f3sito El dibujo ser\u00e1 considerado el eje articulador del proceso a lo largo de toda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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