{"id":53553,"date":"2018-03-09T22:41:16","date_gmt":"2018-03-09T22:41:16","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/practicas-y-dispositivos-tecno-estrategicos-en-la-produccion-simbolica-en-red\/"},"modified":"2018-03-09T22:41:16","modified_gmt":"2018-03-09T22:41:16","slug":"practicas-y-dispositivos-tecno-estrategicos-en-la-produccion-simbolica-en-red","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/practicas-y-dispositivos-tecno-estrategicos-en-la-produccion-simbolica-en-red\/","title":{"rendered":"Practicas y dispositivos tecno-estrategicos en la producci\u00f3n simbolica en red"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ignacio Domench P\u00e9rez <\/strong><\/h2>\n<p>El objetivo fundamental de esta investigaci\u00f3n es mostrar como una producci\u00f3n simb\u00f3lica, que \u00fanicamente a trav\u00e9s de la red ha podido tener lugar, est\u00e1 capacitada para dar respuesta afectiva y cognoscitiva, mediante implementaci\u00f3n tecnol\u00f3gica, a las necesidades conectivas y comunicativas de una colectividad -la humana-; revel\u00e1ndose, a su vez, capaz de experimentar nuevos modelos sociales de construcci\u00f3n y distribuci\u00f3n del saber. Modelos que parten del establecimiento simult\u00e1neo de un espacio com\u00fan de car\u00e1cter p\u00fablico -la red-. Esta producci\u00f3n simb\u00f3lica es el resultado de unas pr\u00e1cticas que oscilan entre un arte socio-pol\u00edtico aparentemente inocuo y unos modos de acci\u00f3n tecno social efectuados en y sobre la propia red desde el \u00e1mbito hacker. Pr\u00e1cticas motivadas por la urgencia de configurar otros modos de relaci\u00f3n y de vida, que han permitido a personas que habitualmente se encuentran del lado receptor -como meros espectadores o usuarios- asumir la propia gesti\u00f3n cr\u00edtica de lo real dentro y fuera de la red. Cr\u00edtica que precisa de conocimientos y afecciones que se desprenden de una comunidad de usuarios co-productores, que simult\u00e1neamente genera, conformando el imaginario social. El estudio pretende tambi\u00e9n demostrar el principio de una confraternidad entre dos \u00e1mbitos, cuyos procesos de subjetivaci\u00f3n se encuentran en constante agitaci\u00f3n y efervescencia productiva. Aunque diversos en su origen, se unen en respuesta a la posesi\u00f3n privativa del conocimiento y de la cultura. (1) una \u00e1mbito-arte en su plano inmanente m\u00e1s socialmente cr\u00edtico -y autocr\u00edtico- y (2) un \u00e1mbito-hacker nacido de una concepci\u00f3n de procom\u00fan del software. Constatamos como el paralelismo de ambos \u00e1mbitos no radica s\u00f3lo en las coincidencia feliz de prosecuci\u00f3n de unos fines colectivos, sino en la simetr\u00eda de procedimientos y estrategias -simb\u00f3licas, performativas y legales- sobre todo, en la medida en que sus conceptos son ampliados y superan su especificidad<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Practicas y dispositivos tecno-estrategicos en la producci\u00f3n simbolica en red<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Practicas y dispositivos tecno-estrategicos en la producci\u00f3n simbolica en red <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ignacio Domench P\u00e9rez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 28\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> San Mart\u00edn Martinez Francisco Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josu Rekalde izaguirre <\/li>\n<li>laura Baigorri ballarin (vocal)<\/li>\n<li> Alcala mellado Jos\u00e9 ramon (vocal)<\/li>\n<li>mauricio P\u00e9rez jimenez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ignacio Domench P\u00e9rez El objetivo fundamental de esta investigaci\u00f3n es mostrar como una producci\u00f3n simb\u00f3lica, que \u00fanicamente [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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