{"id":53676,"date":"2018-03-09T22:41:23","date_gmt":"2018-03-09T22:41:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/una-teoria-sobre-el-movimiento-tonal-a-gran-escala-en-la-musica-del-tercer-periodo-estilistico-de-witold-lutoslawski-1979-1994\/"},"modified":"2018-03-09T22:41:23","modified_gmt":"2018-03-09T22:41:23","slug":"una-teoria-sobre-el-movimiento-tonal-a-gran-escala-en-la-musica-del-tercer-periodo-estilistico-de-witold-lutoslawski-1979-1994","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/una-teoria-sobre-el-movimiento-tonal-a-gran-escala-en-la-musica-del-tercer-periodo-estilistico-de-witold-lutoslawski-1979-1994\/","title":{"rendered":"Una teoria sobre el movimiento tonal a gran escala en la musica del tercer periodo estilistico de witold lutoslawski: 1979-1994"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mart\u00ednez Garc\u00eda Gonzalo Javier <\/strong><\/h2>\n<p>Aplicando la teor\u00eda y la metodolog\u00eda del an\u00e1lisis estil\u00edstico del l.B.Meyer, se estudian las estrategias de movimiento tonal a gran escala en la m\u00fasica tard\u00eda de lutoslawski. Previo a esto se realiza una investigaci\u00f3n abordando aspectos que permitan fundamentar un m\u00e9todo anal\u00edtico musical sobre el cual basar el an\u00e1lisis. la tesis consta as\u00ed de cuatro partes: reflexi\u00f3n te\u00f3rica como fundamento del an\u00e1lisis, estudio de los modelos encontrados (hechos que se repiten en varias obras) y de las estrategias compositivas declaradas por lutoslawski, hip\u00f3tesis, y comprobaci\u00f3n de la hip\u00f3tesis. El cap\u00edtulo 1 corresponde a la introducci\u00f3n. el cap\u00edtulo 2 corresponde a la fase de reflexi\u00f3n te\u00f3rica, abordando aspectos como el concepto como el concepto de estructura, prolongaci\u00f3n, an\u00e1lisis lineal, y concluye con la descripci\u00f3n del m\u00e9todo anal\u00edtico. el cap\u00edtulo 3, corresponde a la descripci\u00f3n de modelos y al estudio de las declaraciones del compositor sobre melod\u00eda, armon\u00eda, forma y posici\u00f3n est\u00e9tica. el cap\u00edtulo 4, presenta la hip\u00f3tesis que explica la presencia de los modelos estudiados. posteriormente, en los cap\u00edtulos 5, 6 y 7 se analizan dos obras sinf\u00f3nicas y una de c\u00e1mara, respectivamente comprobando la hip\u00f3tesis planteada.  la tesis concluye en el cap\u00edtulo 8 presentando las conclusiones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Una teoria sobre el movimiento tonal a gran escala en la musica del tercer periodo estilistico de witold lutoslawski: 1979-1994<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Una teoria sobre el movimiento tonal a gran escala en la musica del tercer periodo estilistico de witold lutoslawski: 1979-1994 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mart\u00ednez Garc\u00eda Gonzalo Javier <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/06\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Gonzalez Casado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: bego\u00f1a Lolo harranz <\/li>\n<li>yvan Nommick (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Garcia laborda (vocal)<\/li>\n<li>v\u00edctor S\u00e1nchez s\u00e1nchez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mart\u00ednez Garc\u00eda Gonzalo Javier Aplicando la teor\u00eda y la metodolog\u00eda del an\u00e1lisis estil\u00edstico del l.B.Meyer, se estudian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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