{"id":53774,"date":"2006-04-07T00:00:00","date_gmt":"2006-04-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/cuatro-caras-de-hermes-en-la-obra-narrativa-de-flavia-company\/"},"modified":"2006-04-07T00:00:00","modified_gmt":"2006-04-07T00:00:00","slug":"cuatro-caras-de-hermes-en-la-obra-narrativa-de-flavia-company","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/cuatro-caras-de-hermes-en-la-obra-narrativa-de-flavia-company\/","title":{"rendered":"Cuatro caras de hermes en la obra narrativa de flavia company"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eva Gutierrez Pardina <\/strong><\/h2>\n<p>A lo largo de la tesis \u00abcuatro caras de hermes en la obra narrativa de flavia company\u00bb, se procede al estudio de ocho novelas y dos libros de relatos cortos de la autora flavia company navau, con espor\u00e1dicas referencias a su obra po\u00e9tica y a dos facetas m\u00e1s de su trabajo: la de escritora de cuentos para ni\u00f1os y la de periodista que escribe art\u00edculos de opini\u00f3n y relatos cortos en prensa.  tras una introducci\u00f3n a la vida y obra de la escritora, se procede al estudio de cuatro caracter\u00edsticas b\u00e1sicas de la narrativa de flavia company, relacionadas con cuatro aspectos b\u00e1sicos del dios hermes: la capacidad para mentir, el oficio de mensajero de los dioses, la relaci\u00f3n con la alquimia, la androginia y\/o el hermafroditismo. Para cada uno de estos aspectos he aplicado metodolog\u00edas diversas: hermen\u00e9utica, est\u00e9tica de la recepci\u00f3n y teor\u00edas sobre mundos ficcionales; estudios sobre ep\u00edstolas y cartas personales; obras que se enmarcan en la escuela de eranos y que realizan un acercamiento hermen\u00e9utico-simb\u00f3lico o, seg\u00fan otras definiciones, antropol\u00f3gico-imaginario a los textos estudiados; mitocr\u00edtica, estudios sobre s\u00edmbolos y alquimia, as\u00ed como obras que exploran el sexo, el g\u00e9nero y lo queer, adem\u00e1s de bibliograf\u00eda especializada en androginia y\/o el hermafroditismo.  la aplicaci\u00f3n de estas metodolog\u00edas a la narrativa de flavia company me permiti\u00f3, por un lado, enumerar las caracter\u00edsticas tem\u00e1ticas fundamentales de las novelas y recopilaciones de relatos cortos de la autora y, por otro, establecer una l\u00ednea divisoria entre las novelas y recopilaciones de relatos anteriores a la novela melalcor y las posteriores a ella, sin que pueda hablarse, en mi opini\u00f3n, de una separaci\u00f3n completamente n\u00edtida entre ambas etapas, sino m\u00e1s bien de intensificaci\u00f3n de elementos que eran muy secundarios en algunas de las obras precedentes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cuatro caras de hermes en la obra narrativa de flavia company<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cuatro caras de hermes en la obra narrativa de flavia company <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eva Gutierrez Pardina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rovira i virgili<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/07\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ram\u00f3n Oteo Sans<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: esther Forgas berdet <\/li>\n<li>M\u00aa Jos\u00e9 S\u00e1nchez-cascado blanco (vocal)<\/li>\n<li>margarida Aritzeta abad (vocal)<\/li>\n<li>meri Torras franc\u00e9s (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eva Gutierrez Pardina A lo largo de la tesis \u00abcuatro caras de hermes en la obra narrativa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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