{"id":54440,"date":"2006-05-09T00:00:00","date_gmt":"2006-05-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-artistas-de-la-bauhaus-una-revision-del-arte-y-del-diseno-femenino\/"},"modified":"2006-05-09T00:00:00","modified_gmt":"2006-05-09T00:00:00","slug":"las-artistas-de-la-bauhaus-una-revision-del-arte-y-del-diseno-femenino","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/las-artistas-de-la-bauhaus-una-revision-del-arte-y-del-diseno-femenino\/","title":{"rendered":"Las artistas de la bauhaus: una revisi\u00f3n del arte y del dise\u00f1o femenino"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Luisa Vadillo Rodr\u00edguez <\/strong><\/h2>\n<p>La tesis supone una profunda revisi\u00f3n de la presencia femenina a lo largo de las tres sedes en las que se desarroll\u00f3 la bauhaus (1919-1933). En ella, se aborda desde la presencia general de la mujer en todos los talleres que llev\u00f3 a cabo la escuela hasta un exhaustivo estudio de los casos individuales que, con el tiempo, se convirtieron en dise\u00f1adoras y artistas de prestigio en el siglo xx. Organizando en dos vol\u00famenes, el primero consta de todo el texto mientras que el segundo muestra una serie de in\u00e9ditos anexos documentales y fotogr\u00e1ficos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las artistas de la bauhaus: una revisi\u00f3n del arte y del dise\u00f1o femenino<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las artistas de la bauhaus: una revisi\u00f3n del arte y del dise\u00f1o femenino <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Luisa Vadillo Rodr\u00edguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/09\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rita Del Rio Rodr\u00edguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jarauta marion <\/li>\n<li>ram\u00f3n Ti\u00f3 bellido (vocal)<\/li>\n<li> Garc\u00eda del moral mora m. Jos\u00e9 (vocal)<\/li>\n<li>Juan  bosco D\u00edaz-urmeneta mu\u00f1oz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Luisa Vadillo Rodr\u00edguez La tesis supone una profunda revisi\u00f3n de la presencia femenina a lo largo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10715,1111],"tags":[8503,120246,120247,120244,120245,83095],"class_list":["post-54440","post","type-post","status-publish","format-standard","hentry","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-francisco-jarauta-marion","tag-garcia-del-moral-mora-m-jose","tag-juan-bosco-diaz-urmeneta-munoz","tag-maria-luisa-vadillo-rodriguez","tag-ramon-tio-bellido","tag-rita-del-rio-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/54440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=54440"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/54440\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=54440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=54440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=54440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}