{"id":54517,"date":"2006-12-09T00:00:00","date_gmt":"2006-12-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/historia-y-evolucion-del-diseno-discografico-el-caso-de-four5one-y-u2-2000-2005\/"},"modified":"2006-12-09T00:00:00","modified_gmt":"2006-12-09T00:00:00","slug":"historia-y-evolucion-del-diseno-discografico-el-caso-de-four5one-y-u2-2000-2005","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/estetica-de-las-bellas-artes\/historia-y-evolucion-del-diseno-discografico-el-caso-de-four5one-y-u2-2000-2005\/","title":{"rendered":"Historia y evoluci\u00f3n del dise\u00f1o discogr\u00e1fico. el caso de four5one y u2 2000-2005"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ismael L\u00f3pez Medel <\/strong><\/h2>\n<p>El presente trabajo analiza la trayectoria del dise\u00f1o discogr\u00e1fico como disciplina del dise\u00f1o gr\u00e1fico.  en un recorrido organizado por d\u00e9cadas se analiza c\u00f3mo los diferentes elementos del dise\u00f1o gr\u00e1fico (color, tipograf\u00eda, im\u00e1genes, etc) se han aplicado al campo de las portadas de discos y a otros productos discogr\u00e1ficos y c\u00f3mo los diferentes estilos musicales han generado un lenguaje visual propio.  el caso pr\u00e1ctico analizado, el trabajo de four5one para u2 entre los a\u00f1os 2000 y 2005, con un total de cinco lanzamientos musicales analizados, constituye un caso \u00fanico en la industria discogr\u00e1fica, donde la fidelidad en la relaci\u00f3n entre los autores del proceso de creaci\u00f3n otorga una estabilidad que facilita unos procesos de trabajo fluidos y eficaces en un momento de especial crisis para la industria discogr\u00e1fica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Historia y evoluci\u00f3n del dise\u00f1o discogr\u00e1fico. el caso de four5one y u2 2000-2005<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Historia y evoluci\u00f3n del dise\u00f1o discogr\u00e1fico. el caso de four5one y u2 2000-2005 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ismael L\u00f3pez Medel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 San pablo-ceu<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/09\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro P\u00e9rez Cuadrado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Luis Blanco vila <\/li>\n<li>Jos\u00e9 Luis Arceo vacas (vocal)<\/li>\n<li>Fernando Mart\u00edn mart\u00edn (vocal)<\/li>\n<li>Fernando Quir\u00f3s (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ismael L\u00f3pez Medel El presente trabajo analiza la trayectoria del dise\u00f1o discogr\u00e1fico como disciplina del dise\u00f1o gr\u00e1fico. 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