{"id":54582,"date":"2018-03-09T22:42:19","date_gmt":"2018-03-09T22:42:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-recreacion-del-mito-en-el-teatro-de-alfonso-sastre\/"},"modified":"2018-03-09T22:42:19","modified_gmt":"2018-03-09T22:42:19","slug":"la-recreacion-del-mito-en-el-teatro-de-alfonso-sastre","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-recreacion-del-mito-en-el-teatro-de-alfonso-sastre\/","title":{"rendered":"La recreaci\u00f3n del mito en el teatro de alfonso sastre."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Isabel Aboal Sanjurjo <\/strong><\/h2>\n<p>El trabajo pretende ser un acercamiento objetivo a una parte importante de la obra de alfonso sastre, uno de los dramaturgos m\u00e1s importantes de la segunda mitad del siglo xx en espa\u00f1a. Un estudio de su obra de recreaci\u00f3n m\u00edtica que abarca m\u00e1s de una veintena de dramas (casi la mitad de su producci\u00f3n dram\u00e1tica), la mayor\u00eda desconocidos por el gran p\u00fablico y desatendidos por la cr\u00edtica: el banquete, el cubo de la basura, el pan de todos, la cornada, ejercicios de terror&#8230;&#8230;  consta de una introducci\u00f3n te\u00f3rica sobre la evoluci\u00f3n de su dramaturgia y sobre el mito y el proceso de recreaci\u00f3n y reescritura, y en su parte central desarrolla un an\u00e1lisis pormenorizado del corpus elegido, atendiendo a los constituyentes de cada pieza: espacio, tiempo, personajes, lenguaje&#8230;.Se analiza despu\u00e9s la relaci\u00f3n de la obra con el mito del que procede, se\u00f1alando las diferencias y similitudes existentes entre ellos, para buscar las motivaciones que han llevado a sastre en la elecci\u00f3n del mito y de la perspectiva elegida. ello permite extraer conclusiones generales y sistematizarlas.  las obras se han distribuido atendiendo a su tem\u00e1tica m\u00edtica y no a su estructura, dramaturgia o forma de aproximaci\u00f3n al mito, para dotar as\u00ed al trabajo de mayor coherencia. Ello es debido a que se buscaba un modelo de recreaci\u00f3n m\u00edtica que traspasara las fronteras de la etapa evolutiva e intenci\u00f3n y mostrara cu\u00e1les son las aportaciones de sastre al universo del mito y su vinculaci\u00f3n con el teatro. Esos n\u00facleos tem\u00e1ticos son: mitos de la antig\u00ed\u00bcedad grecolatina, mitos de la tradici\u00f3n literaria espa\u00f1ola, mito b\u00edblico, mito revolucionario, mito de saturno, mitos del terror y mito de la muerte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La recreaci\u00f3n del mito en el teatro de alfonso sastre.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La recreaci\u00f3n del mito en el teatro de alfonso sastre. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Isabel Aboal Sanjurjo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/09\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda no De Paco Moya<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: v\u00edctor Dixon <\/li>\n<li>cesar Oliva olivares (vocal)<\/li>\n<li>Francisco Javier Diez de revenga torres (vocal)<\/li>\n<li>Jos\u00e9 cipriano Paulino ayuso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Isabel Aboal Sanjurjo El trabajo pretende ser un acercamiento objetivo a una parte importante de la 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