{"id":54674,"date":"2018-03-09T22:42:23","date_gmt":"2018-03-09T22:42:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-coreografo-realizador-y-la-fragmentacion-del-cuerpo-en-movimiento-dentro-del-film-de-accion-y-el-film-de-danza\/"},"modified":"2018-03-09T22:42:23","modified_gmt":"2018-03-09T22:42:23","slug":"el-coreografo-realizador-y-la-fragmentacion-del-cuerpo-en-movimiento-dentro-del-film-de-accion-y-el-film-de-danza","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/el-coreografo-realizador-y-la-fragmentacion-del-cuerpo-en-movimiento-dentro-del-film-de-accion-y-el-film-de-danza\/","title":{"rendered":"El core\u00f3grafo-realizador y la fragmentaci\u00f3n del cuerpo en movimiento dentro del film de acci\u00f3n y el film de danza"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Pineda P\u00e9rez Juan  Bernardo <\/strong><\/h2>\n<p>Esta tesis doctoral presenta la afinidad que la danza tiene con la imagen en movimiento y su uso como nuevo soporte art\u00edstico, medi\u00e1tico y de presentaci\u00f3n coreogr\u00e1fica. Para ello, la investigaci\u00f3n que hemos realizado parte principalmente del trabajo desarrollado durante el siglo xx por los artistas busby berkeley, leni riefensthal, maya deren y bruce lee, todos ellos core\u00f3grafos y realizadores. Su labor se caracteriza porque han ido configurando un perfeccionamiento de fragmentaci\u00f3n en la imagen del cuerpo en movimiento dentro de un film. Esta particularidad operativa dentro de la filmaci\u00f3n y el montaje genera la figura del core\u00f3grafo-realizador como un nuevo especialista; convirtiendo en protagonista a la acci\u00f3n del cuerpo, ya sea en bailes o en combates presentados cinematogr\u00e1ficamente.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El core\u00f3grafo-realizador y la fragmentaci\u00f3n del cuerpo en movimiento dentro del film de acci\u00f3n y el film de danza<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El core\u00f3grafo-realizador y la fragmentaci\u00f3n del cuerpo en movimiento dentro del film de acci\u00f3n y el film de danza <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Pineda P\u00e9rez Juan  Bernardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/09\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Gema Hoyas Frontera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda eulalia Adelantado mateu <\/li>\n<li>mercedes Miguel borras (vocal)<\/li>\n<li>Miguel Molina alarc\u00f3n (vocal)<\/li>\n<li>gabriel Villota toyos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pineda P\u00e9rez Juan Bernardo Esta tesis doctoral presenta la afinidad que la danza tiene con la imagen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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