{"id":54751,"date":"2018-03-09T22:42:31","date_gmt":"2018-03-09T22:42:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-mundos-ficcionales-en-el-cuento-venezolano-modelos-y-tendencias-de-un-cuerpo-narrativo\/"},"modified":"2018-03-09T22:42:31","modified_gmt":"2018-03-09T22:42:31","slug":"los-mundos-ficcionales-en-el-cuento-venezolano-modelos-y-tendencias-de-un-cuerpo-narrativo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-mundos-ficcionales-en-el-cuento-venezolano-modelos-y-tendencias-de-un-cuerpo-narrativo\/","title":{"rendered":"Los mundos ficcionales en el cuento venezolano: modelos y tendencias de un cuerpo narrativo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Steven Berm\u00fadez Ant\u00fanez <\/strong><\/h2>\n<p>La presente tesis doctoral expone la investigaci\u00f3n sobre uno de los intereses m\u00e1s recalcitrantes de la teor\u00eda literaria: la ficcionalidad. Entre las diversas corrientes de la teor\u00eda de la ficcionalidad actual, se eligi\u00f3 la sem\u00e1ntica literaria de lubom\u00edr dolezel como principal controlador critico. Esta elecci\u00f3n se apoy\u00f3 en el hecho de que el autor la propone sobrela concepci\u00f3n seg\u00fan la cual, para contar historias y para que \u00e9stas sena comprendidas por los lectores, se requiere el desarrollo de ciertas macroestructuras. Las macroestructuras propuestas por dolezel responden a dos tipos de relaciones sem\u00e1nticas: relaciones extensionales (mundo narrativo y modalidades narrativas) y relaciones intencionales (funci\u00f3n de autenticaci\u00f3n y saturaci\u00f3n). La estructuraci\u00f3n metodol\u00f3gica de la investigaci\u00f3n se acoge a una orientadora triangulaci\u00f3n de categor\u00edas: mundo ficcional (el texto como mundo), que tomamos como herramienta heur\u00edstica para la explicaci\u00f3n de la ficci\u00f3n narrativa, cuento (como pr\u00e1ctica discursiva- gen\u00e9rica en la literatura) y literatura venezolana (como corpus hist\u00f3rico-contextual espec\u00edfico). Tal procedimiento oblig\u00f3 a que se desarrollara cada uno de estos aspectos en su dimensi\u00f3n particular. Finalmente, se ofreci\u00f3 su integraci\u00f3n en unos comentarios cr\u00edticos sobre los modelos y las tendencias desarrollados en el cuento venezolano de los \u00faltimos cincuenta a\u00f1os, visto a trav\u00e9s de los cuentos premiados del concurso anual del diario el nacional (caracas-venezuela).  palabras claves     teor\u00eda de la ficci\u00f3n, discurso literario, sem\u00e1ntica, cuento, mundo ficcional, literatura venezolana.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los mundos ficcionales en el cuento venezolano: modelos y tendencias de un cuerpo narrativo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los mundos ficcionales en el cuento venezolano: modelos y tendencias de un cuerpo narrativo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Steven Berm\u00fadez Ant\u00fanez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/09\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Garrido Dom\u00ednguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan a Mart\u00ednez g\u00f3mez <\/li>\n<li>Mar\u00eda  de los angeles Hermosilla  alvarez (vocal)<\/li>\n<li> Villar degano Juan  felipe (vocal)<\/li>\n<li> L\u00f3pez mart\u00ednez Mar\u00eda isabel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Steven Berm\u00fadez Ant\u00fanez La presente tesis doctoral expone la investigaci\u00f3n sobre uno de los intereses m\u00e1s recalcitrantes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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