{"id":54997,"date":"2006-10-10T00:00:00","date_gmt":"2006-10-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-complejas-relaciones-entre-el-arte-y-la-politica-en-el-ambito-de-la-cultura-occidental-el-arte-politico-como-contradiccion-institucional\/"},"modified":"2006-10-10T00:00:00","modified_gmt":"2006-10-10T00:00:00","slug":"las-complejas-relaciones-entre-el-arte-y-la-politica-en-el-ambito-de-la-cultura-occidental-el-arte-politico-como-contradiccion-institucional","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/las-complejas-relaciones-entre-el-arte-y-la-politica-en-el-ambito-de-la-cultura-occidental-el-arte-politico-como-contradiccion-institucional\/","title":{"rendered":"Las complejas relaciones entre el arte y la politica en el ambito de la cultura occidental. el arte politico como contradiccion institucional"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Paula Cristina De Almeida Tavares <\/strong><\/h2>\n<p>An\u00e1lisis de la continua y creciente presencia (y relaci\u00f3n) del arte en espacio y actos pol\u00edticos, as\u00ed como el deseo del artista de manifestar a trav\u00e9s de su obra un compromiso de hacer p\u00fablico lo personal. &#8211; la influencia del entorno pol\u00edtico, social y cultural en la concepci\u00f3n del arte. &#8211; las complejas y parad\u00f3jicas relaciones entre la obra y su recepci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las complejas relaciones entre el arte y la politica en el ambito de la cultura occidental. el arte politico como contradiccion institucional<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las complejas relaciones entre el arte y la politica en el ambito de la cultura occidental. el arte politico como contradiccion institucional <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Paula Cristina De Almeida Tavares <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/10\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Consuelo Matesanz P\u00e9rez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jose Chavete rodriguez <\/li>\n<li>Juan  bautista Peiro lopez (vocal)<\/li>\n<li>Jos\u00e9 Luis Vicario merino (vocal)<\/li>\n<li>Antonio Quadros ferreira (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Paula Cristina De Almeida Tavares An\u00e1lisis de la continua y creciente presencia (y relaci\u00f3n) del arte en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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