{"id":55621,"date":"2018-03-09T22:43:19","date_gmt":"2018-03-09T22:43:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aspectos-de-la-obra-de-gabino-alejandro-carriedo\/"},"modified":"2018-03-09T22:43:19","modified_gmt":"2018-03-09T22:43:19","slug":"aspectos-de-la-obra-de-gabino-alejandro-carriedo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/aspectos-de-la-obra-de-gabino-alejandro-carriedo\/","title":{"rendered":"Aspectos de la obra de gabino-alejandro carriedo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mario Paz Gonz\u00e1lez <\/strong><\/h2>\n<p>A presente tesis trata de abordar de forma \u00edntegra la obra del poeta palentino gabino-alejandro carriedo, analizando, al mismo tiempo, el lugar preeminente que le corresponde dentro de la poes\u00eda espa\u00f1ola de la segunda mitad del siglo xx. Para ello, se ha estructurado el trabajo en dos partes fundamentales que hacen referencia, en primer lugar, a los \u00abcontextos\u00bb del autor, es decir, biogr\u00e1fico y literario. Junto al an\u00e1lisis de su circunstancia vital, el entronque con las corrientes de su \u00e9poca y con la tradici\u00f3n hisp\u00e1nica se perfila de un modo m\u00e1s di\u00e1fano en el segundo subapartado de este bloque dedicado al contexto literario del autor. En \u00e9l se analizan, de modo somero e individualizado, cada uno de sus poemarios (incluidos los que hab\u00edan permanecido in\u00e9ditos y nunca estudiados hasta 2006) y la relaci\u00f3n directa de estos con los movimientos po\u00e9ticos en los que el autor milit\u00f3 en los diferentes momentos de su decurso vital y art\u00edstico. El segundo bloque de la tesis se dedica a la exploraci\u00f3n meramente anal\u00edtica de sus \u00abtextos\u00bb, abordados en su conjunto, estudiando con precisi\u00f3n todo lo concerniente a los temas recurrentes de su obra y a las formas literarias en que se estructura su original producci\u00f3n po\u00e9tica. Se incluye, as\u00ed mismo, un peque\u00f1o apartado final, dentro de este mismo bloque, en el que se estudia por primera vez su breve pero interesante producci\u00f3n pros\u00edstica pr\u00e1cticamente in\u00e9dita y desconocida, aun para los amantes de su l\u00edrica. Por \u00faltimo, tras el apartado de conclusiones, se incluye la bibliograf\u00eda preceptiva, y esperable en todo trabajo de este tipo, y un apartado de ap\u00e9ndices. En \u00e9l se ofrece un minucioso censo de todos los poemas escritos por el autor y la referencia de las publicaciones en que se han editado. Adem\u00e1s, se a\u00f1aden, como colof\u00f3n, varios textos in\u00e9ditos en prosa y verso y un par de entrevistas, tambi\u00e9n in\u00e9ditas<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aspectos de la obra de gabino-alejandro carriedo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aspectos de la obra de gabino-alejandro carriedo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mario Paz Gonz\u00e1lez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Le\u00f3n<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/11\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mar\u00eda Balcells Dom\u00e9nech<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pablo Jauralde pou <\/li>\n<li>julio Neira jim\u00e9nez (vocal)<\/li>\n<li>Jaime Pont ib\u00e1\u00f1ez (vocal)<\/li>\n<li>Juan Matas caballero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mario Paz Gonz\u00e1lez A presente tesis trata de abordar de forma \u00edntegra la obra del poeta palentino [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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