{"id":55777,"date":"2018-03-09T22:43:30","date_gmt":"2018-03-09T22:43:30","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-luz-en-la-configuracion-del-espacio\/"},"modified":"2018-03-09T22:43:30","modified_gmt":"2018-03-09T22:43:30","slug":"la-luz-en-la-configuracion-del-espacio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/diseno-arquitectonico\/la-luz-en-la-configuracion-del-espacio\/","title":{"rendered":"La luz en la configuraci\u00f3n del espacio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduardo Mar\u00eda De Miguel Arbones <\/strong><\/h2>\n<p>Aproximaci\u00f3n al significado y uso consciente de la luz en el pantheon de roma. Los dispositivos de transformaci\u00f3n, tiene su origen en la proposici\u00f3n que hizo hans sedlmayr en su trabajo das licht in seinen k\u00ed\u00bcnstlerischen manifestationen, en la que plante\u00f3 si las distintas respuestas a los factores variables dependientes de la luz y de la obra de arte, pod\u00edan significar la pertenencia a la categor\u00eda de un arte de la luz, e invitaba a elaborar, con un trabajo de investigaci\u00f3n colectivo, esa historia sub especie de la luz inexistente.     se compone de tres vol\u00famenes, el primero de ellos dedicado al discurso de la tesis y los otros dos a los ap\u00e9ndices, en los que se recogen todos aquellos documentos gr\u00e1ficos realizados y recopilados a lo largo del trabajo de investigaci\u00f3n. Los primeros cap\u00edtulos pretenden aclarar una serie de cuestiones fundamentales si queremos aproximarnos al estudio de la configuraci\u00f3n del espacio a trav\u00e9s de la luz. El \u00faltimo, en cambio, analiza en profundidad el pantheon de roma, un espacio ejemplar, inalterable en el fundamento y refractario a la acci\u00f3n del tiempo, con el objeto de averiguar  y comprender en qu\u00e9 momento se producen modificaciones conscientes en las condiciones de luz.     observando y procurando entender lo que all\u00ed ocurre, no es arriesgado afirmar que es viable establecer relaciones conscientes con la luz intentando responder a una idea preconcebida. Tambi\u00e9n ha sido posible comprender c\u00f3mo funcionan estos v\u00ednculos y, finalmente, advirtiendo que son conceptualizables se ha querido concluir con un taxonom\u00eda, sencilla y prefectible, que precisa los momentos en los que es posible transformar las propiedades de la luz y los procesos de configuraci\u00f3n espacial que nos permiten relacionarnos con ellos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La luz en la configuraci\u00f3n del espacio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La luz en la configuraci\u00f3n del espacio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduardo Mar\u00eda De Miguel Arbones <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/11\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan Navarro Baldeweg<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alberto Campo baeza <\/li>\n<li>ignacio Bosch reig (vocal)<\/li>\n<li>c\u00e9sar Protela fern\u00e1ndez-jard\u00f3n (vocal)<\/li>\n<li> Alonso del val Miguel angel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduardo Mar\u00eda De Miguel Arbones Aproximaci\u00f3n al significado y uso consciente de la luz en el pantheon [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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