{"id":55933,"date":"2006-11-12T00:00:00","date_gmt":"2006-11-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-canciones-de-cuna-en-andalucia-repertorio-y-estudio\/"},"modified":"2006-11-12T00:00:00","modified_gmt":"2006-11-12T00:00:00","slug":"las-canciones-de-cuna-en-andalucia-repertorio-y-estudio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/las-canciones-de-cuna-en-andalucia-repertorio-y-estudio\/","title":{"rendered":"Las canciones de cuna en andalucia. repertorio y estudio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuel Fern\u00e1ndez Gamero <\/strong><\/h2>\n<p>Consta de un volumen impreso a doble cara, con 941 p\u00e1ginas tama\u00f1o folio, que va completado con un dvd, de trabajo de campo, en el que se recogen algunas muestras de las grabaciones de audio y v\u00eddeo con interpretaciones de nanas populares de la tradici\u00f3n moderna en la voz y la imagen de las propias informantes andaluzas, as\u00ed como de las transcripciones musicales y textuales de un grupo de canciones de dicho repertorio.     en la primera parte del texto se realiza un estudio de la historia,  evoluci\u00f3n y pervivencias de este subg\u00e9nero l\u00edrico de tradici\u00f3n oral que se inicia con un recorrido somero por distintas y distantes culturales en las que, a pesar de sus diferencias, un sentimiento com\u00fan ha hecho aflorar temas y formas expresivas similares desde el mundo primitivo hasta nuestros d\u00edas. A continuaci\u00f3n se indagan las posibles huellas grecolatinas y moz\u00e1rabes de estas canciones de madre y se prosigue haciendo un estudio m\u00e1s minucioso de las primeras canciones de cuna en castellano y posteriormente de la \u00e9poca \u00e1urea a trav\u00e9s de textos de autor\u00eda var\u00edan en los que se vislumbra la est\u00e9tica tradicional o se constatan determinadas supervivencias l\u00e9xicas o textuales. Termina esta parte del estudio ofreciendo una panor\u00e1mica de la obra, y de los colectores del siglo xix, algunos de los cuales, como los sevillanos rodr\u00edguez mar\u00edn y machado \u00e1lvarez, son los iniciadores en espa\u00f1a, bajo los auspicios de la incipientes ciencia folcl\u00f3rica, de la investigaci\u00f3n moderna de la literatura de ra\u00edz popular, en una de cuyas manifestaciones ha profundizado esta tesis.     en la segunda parte se contiene, clasifica y analiza el corpus de canciones de cuna andaluzas recopiladas en distintas etapas por el autor a lo largo de dos d\u00e9cadas, a trav\u00e9s de encuestas de campo directas, que representa la mitad del repertorio, cuyo total es cercano a las mil ochocientas versiones. La otras mitad del repertorio ha sido seleccionado de m\u00e1s de veinte colecciones distint<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las canciones de cuna en andalucia. repertorio y estudio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las canciones de cuna en andalucia. repertorio y estudio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuel Fern\u00e1ndez Gamero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/12\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Manuel Pi\u00f1ero Ram\u00edrez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rogelio Reyes cano <\/li>\n<li>joaqu\u00edn D\u00edaz gonz\u00e1lez (vocal)<\/li>\n<li>christian Wentzlaff-eggebert (vocal)<\/li>\n<li>aurora Dom\u00ednguez guzm\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuel Fern\u00e1ndez Gamero Consta de un volumen impreso a doble cara, con 941 p\u00e1ginas tama\u00f1o folio, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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