{"id":56370,"date":"2018-03-09T22:44:10","date_gmt":"2018-03-09T22:44:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-grabado-animado-experimental-nuevas-posibilidades-de-creacion-tecnica-y-simulacion-estetica\/"},"modified":"2018-03-09T22:44:10","modified_gmt":"2018-03-09T22:44:10","slug":"el-grabado-animado-experimental-nuevas-posibilidades-de-creacion-tecnica-y-simulacion-estetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/dibujo-y-grabado\/el-grabado-animado-experimental-nuevas-posibilidades-de-creacion-tecnica-y-simulacion-estetica\/","title":{"rendered":"El grabado animado experimental: nuevas posibilidades de creaci\u00f3n t\u00e9cnica y simulaci\u00f3n est\u00e9tica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Angeles L\u00f3pez Izquierdo <\/strong><\/h2>\n<p>La animaci\u00f3n experimental se desarrolla en festivales, muestras, exposiciones y est\u00e1 estrechamente ligada a las producciones gr\u00e1ficas, pict\u00f3ricas, musicales, fotogr\u00e1ficas, en definitiva es utilizada como medio de expresi\u00f3n art\u00edstica. Debemos por tanto plantearnos la animaci\u00f3n como un nuevo soporte de difusi\u00f3n de obra, acorde con las nuevas formas de ver y entender el mundo y las necesidades de la sociedad. Analizado este nuevo soporte descubrimos que las t\u00e9cnicas que se emplean son tan variadas y diversas como los artistas que las utilizan, encontrando entre ellas t\u00e9cnicas como la pintura o el grabado, ambas poseedoras de un amplio abanico de procedimientos y resultados. centrando nuestra atenci\u00f3n en el grabado, descubrimos que para un grupo de animadores experimentales, \u00e9sta es la base de sus producciones, algunos influenciados por sus pioneros len lye y norman mclaren, utilizan la t\u00e9cnica en su esencia m\u00e1s pura, otros toman como punto de partida su est\u00e9tica y sus caracter\u00edsticas para desarrollar sus producciones con la ayuda de otras t\u00e9cnicas. el grabado ofrece la posibilidad de trabajar con distintas t\u00e9cnicas atendiendo a su matriz y su estampa, considerando los procesos t\u00e9cnicos, los sistemas de estampaci\u00f3n y la manipulaci\u00f3n e intervenci\u00f3n de las estampas como un amplio abanico de nuevas posibilidades. nuestra tesis plantea la realidad del grabado animado experimental, ofreciendo a los artistas cada d\u00eda m\u00e1s interdisciplinares, nuevas posibilidades de creaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El grabado animado experimental: nuevas posibilidades de creaci\u00f3n t\u00e9cnica y simulaci\u00f3n est\u00e9tica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El grabado animado experimental: nuevas posibilidades de creaci\u00f3n t\u00e9cnica y simulaci\u00f3n est\u00e9tica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Angeles L\u00f3pez Izquierdo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/12\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Lloret Ferr\u00e1ndiz M. Carmen<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gimeno baquero v\u00edctor manuel <\/li>\n<li> Guill\u00e9n ram\u00f3n Jos\u00e9 Manuel (vocal)<\/li>\n<li>regina Balbastre garcia (vocal)<\/li>\n<li> De vasconcelos gon\u00ed\u00a7alves gra\u00ed\u00a7a marina estela (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Angeles L\u00f3pez Izquierdo La animaci\u00f3n experimental se desarrolla en festivales, muestras, exposiciones y est\u00e1 estrechamente ligada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4100,16820],"tags":[124540,17045,16910,124538,124537,124539],"class_list":["post-56370","post","type-post","status-publish","format-standard","hentry","category-dibujo-y-grabado","category-politecnica-de-valencia","tag-de-vasconcelos-gonialves-graia-marina-estela","tag-gimeno-baquero-victor-manuel","tag-guillen-ramon-jose-manuel","tag-lloret-ferrandiz-m-carmen","tag-maria-angeles-lopez-izquierdo","tag-regina-balbastre-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/56370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=56370"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/56370\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=56370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=56370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=56370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}