{"id":56417,"date":"2018-03-09T22:44:10","date_gmt":"2018-03-09T22:44:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/kulturgintza-esparruko-eragileen-tradizio-intelektualak-kulturgileak-gizarte-mugimenduetan\/"},"modified":"2018-03-09T22:44:10","modified_gmt":"2018-03-09T22:44:10","slug":"kulturgintza-esparruko-eragileen-tradizio-intelektualak-kulturgileak-gizarte-mugimenduetan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/elites\/kulturgintza-esparruko-eragileen-tradizio-intelektualak-kulturgileak-gizarte-mugimenduetan\/","title":{"rendered":"Kulturgintza esparruko eragileen tradizio intelektualak: kulturgileak gizarte mugimenduetan"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Larrinaga Renteria Ane Miren <\/strong><\/h2>\n<p>Frente a los diagn\u00f3sticos que anuncian el declive del intelectual moderno, en esta tesis se propone que cada per\u00edodo hist\u00f3rico ofrece condiciones y espacios de actuaci\u00f3n propios para la actividad intelectual. en este sentido, se han analizado los nuevos movimientos sociales en tanto que escenarios institucionales propicios para que los agentes culturales puedan reconstruir sus roles e identidades en la modernidad tard\u00eda. As\u00ed, en lugar de ser analizados desde la perspectiva tradicional -es decir, desde un punto de vista organizacional-, los movimientos han sido estudiados como espacios de creaci\u00f3n cognitiva formados por multitud de agentes que internacional en su interior. En consecuencia, se ha considerado que los movimientos constituyen fundamentalmente e n\u00facleos de producci\u00f3n de conocimiento y que en tales espacios conceptuales e intelectuales se crean marcos de interpretaci\u00f3n alternativos a las definiciones dominantes de la realidad social.  los movimientos movilizan multitud de recursos para la consecuci\u00f3n de sus objetivos, es decir, para la construcci\u00f3n de nuevos marcos de interpretaci\u00f3n. Entre tales recursos destacan los intelectuales, que son agentes imprescindibles en todas las luchas simb\u00f3licas que se desarrollan ene l seno de las sociedades desarrolladas.     siguiendo la propuesta te\u00f3rica referida, el trabajo de campo se ha basado en entrevistas en profundidad realizadas a agentes culturales relacionados con el movimiento de recuperaci\u00f3n ling\u00ed\u00bc\u00edstica en pro del euskara (euskalgintza) en el pa\u00eds vasco. en el cap\u00edtulo emp\u00edrico, se estudian la construcci\u00f3n de roles realizada pro intelectuales situados en uncampo cultural dominado -el de la cultura euskaldum- y los marcos de interpretaci\u00f3n conflictivos que estos intelectuales han creado dentro del movimiento desde la \u00e9poca de la institucionalizaci\u00f3n auton\u00f3mica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Kulturgintza esparruko eragileen tradizio intelektualak: kulturgileak gizarte mugimenduetan<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Kulturgintza esparruko eragileen tradizio intelektualak: kulturgileak gizarte mugimenduetan <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Larrinaga Renteria Ane Miren <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/12\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Milagros Amurrio Velez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jokin Apalategi begiristain <\/li>\n<li>Jos\u00e9 Mar\u00eda Ripalda crespo (vocal)<\/li>\n<li>frantziska Arregi goenaga (vocal)<\/li>\n<li> Fernandez de larrinoa pablos kepa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Larrinaga Renteria Ane Miren Frente a los diagn\u00f3sticos que anuncian el declive del intelectual moderno, en esta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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