{"id":56689,"date":"2018-03-09T22:44:29","date_gmt":"2018-03-09T22:44:29","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/edicio-cra%c2%adtica-i-estudi-dels-llibres-i-ii-ix-y-x-del-llibre-de-meravelles-de-ramon-llull\/"},"modified":"2018-03-09T22:44:29","modified_gmt":"2018-03-09T22:44:29","slug":"edicio-cra%c2%adtica-i-estudi-dels-llibres-i-ii-ix-y-x-del-llibre-de-meravelles-de-ramon-llull","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/lengua-y-literatura\/edicio-cra%c2%adtica-i-estudi-dels-llibres-i-ii-ix-y-x-del-llibre-de-meravelles-de-ramon-llull\/","title":{"rendered":"Edici\u00f3 cr\u00edtica i estudi dels llibres, i, ii, ix y x del llibre de meravelles de ramon llull"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Bonillo Hoyos Francisco Javier <\/strong><\/h2>\n<p>Edici\u00f3n cr\u00edtica a partir de los doce manuscritos catalanes conservados (siete medievales y cinco modernos). Adem\u00e1s se hace un an\u00e1lisis de la relaci\u00f3n entre el arte luliano y su concepci\u00f3n de la literatura, a partir de los preceptos siguientes: aplicaci\u00f3n de las figuras en el texto, aplicaci\u00f3n de las premisas correspondientes al per\u00edodo de transici\u00f3n entre las artes cuaternarias y ternarias, definici\u00f3n del concepto de maravilla, estructuras del di\u00e1logo y del proceso de aprendizaje; y, finalmente, estudio individualizado y contextual de cada uno de lso ejemplos de los libros, i, ii, xi y x.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Edici\u00f3 cr\u00edtica i estudi dels llibres, i, ii, ix y x del llibre de meravelles de ramon llull<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Edici\u00f3 cr\u00edtica i estudi dels llibres, i, ii, ix y x del llibre de meravelles de ramon llull <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Bonillo Hoyos Francisco Javier <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/01\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lola Badia P\u00c1\u00a0mies<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Michela Pereira <\/li>\n<li>Enric Rubio Jospe (vocal)<\/li>\n<li>Albert Soler Llopart (vocal)<\/li>\n<li> Ruiz Simon Josep Mar\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Bonillo Hoyos Francisco Javier Edici\u00f3n cr\u00edtica a partir de los doce manuscritos catalanes conservados (siete medievales y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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