{"id":56754,"date":"2018-03-09T22:44:33","date_gmt":"2018-03-09T22:44:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-texto-teatral-accion-e-improvisacion-en-la-creacion-del-personaje-elementos-del-proceso-didactico\/"},"modified":"2018-03-09T22:44:33","modified_gmt":"2018-03-09T22:44:33","slug":"el-texto-teatral-accion-e-improvisacion-en-la-creacion-del-personaje-elementos-del-proceso-didactico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/el-texto-teatral-accion-e-improvisacion-en-la-creacion-del-personaje-elementos-del-proceso-didactico\/","title":{"rendered":"El texto teatral: acci\u00f3n e improvisaci\u00f3n en la creaci\u00f3n del personaje, elementos del proceso did\u00e1ctico"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Benito Ca\u00f1ada Rangel <\/strong><\/h2>\n<p>En el proceso de formaci\u00f3n del actor, aparte de la t\u00e9cnica inherente a la interpretaci\u00f3n, se requiere conocimiento espec\u00edfico para substraer del texto teatral las herramientas que lo conduzcan de manera inequ\u00edvoca a la creaci\u00f3n del personaje, siendo estas pautas las que nos brinda el texto en la l\u00ednea general de acci\u00f3n, en las l\u00edneas particulares de cada personaje y c\u00f3mo el cruce de estas l\u00edneas dan progresi\u00f3n a la acci\u00f3n, generan los conflictos y el cl\u00edmax, sustentando las situaciones y circunstancias que suceden en el texto. Para lograr la unidad del trabajo esc\u00e9nico manteniendo y reforzando la acci\u00f3n dram\u00e1tica, el estilo y las l\u00edneas propias del director, es necesario el proceso de improvisaci\u00f1on, donde se concatenan todos los elementos para la creaci\u00f3n del pesonaje y la puesta en escena. se trata de brindar un proceso metodol\u00f3gico y did\u00e1ctico en el estudio del texto teatral, tanto para actores, directores, profesores y cualquiera que tenga el deseo de acercarse al teatro desde los ojos de creaci\u00f3n del personaje y de la puesta en escena. de esta manera tenemos como objetivos generales: &#8211; conocer los diferentes an\u00e1lisis del texto teatral &#8211; brindar las herramientas de an\u00e1lisis del texto para la obtenci\u00f3n de la acci\u00f3n y la creaci\u00f3n del personaje &#8211; aplicar dicha informaci\u00f3n en el proceso de improvisaci\u00f3n para la creaci\u00f3n del personaje &#8211; valorar toda la informaci\u00f3n obtenida para aplicarla correctamente<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El texto teatral: acci\u00f3n e improvisaci\u00f3n en la creaci\u00f3n del personaje, elementos del proceso did\u00e1ctico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El texto teatral: acci\u00f3n e improvisaci\u00f3n en la creaci\u00f3n del personaje, elementos del proceso did\u00e1ctico <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Benito Ca\u00f1ada Rangel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 A coru\u00f1a<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/01\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfredo Rodriguez Lopez Vazquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rosa Cobo mart\u00ednez <\/li>\n<li>nieves G\u00f3mez l\u00f3pez (vocal)<\/li>\n<li>fidel Lopez criado (vocal)<\/li>\n<li>hector Manuel Pose porto (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Benito Ca\u00f1ada Rangel En el proceso de formaci\u00f3n del actor, aparte de la t\u00e9cnica inherente a la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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