{"id":57390,"date":"2007-07-03T00:00:00","date_gmt":"2007-07-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/propuestas-para-una-poetica-de-la-interrupcion-en-la-imagen-en-movimiento\/"},"modified":"2007-07-03T00:00:00","modified_gmt":"2007-07-03T00:00:00","slug":"propuestas-para-una-poetica-de-la-interrupcion-en-la-imagen-en-movimiento","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/propuestas-para-una-poetica-de-la-interrupcion-en-la-imagen-en-movimiento\/","title":{"rendered":"Propuestas para una poetica de la interrupcion en la imagen en movimiento"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ornelas Magalhaes Vitor Manuel <\/strong><\/h2>\n<p>La tesis ha tratado de incurrir sobre el concepto de interrupci\u00f3n, como base anal\u00edtica de la imagen contempor\u00e1nea y en especial en la imagen en movimiento (cine y v\u00eddeo), teniendo en cuenta sus m\u00e1s variadas formas y modelos. Est\u00e1 dividida en tres partes, que a pesar de aut\u00f3nomas, mantienen v\u00ednculos comunes que crean diferentes prop\u00f3sitos y contactos entre ellas. Analiza tambi\u00e9n las distintas posturas conceptuales y metodol\u00f3gicas con respecto a la interrupci\u00f3n en el arte y en la imagen en movimiento (desde el modernismo hasta la actualidad) a partir de obras y escritos, tanto de artistas como de te\u00f3ricos relevantes para el tema.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Propuestas para una poetica de la interrupcion en la imagen en movimiento<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Propuestas para una poetica de la interrupcion en la imagen en movimiento <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ornelas Magalhaes Vitor Manuel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Castilla-la mancha<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/03\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Armando Montesinos Blanco<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ana Navarrete tudela <\/li>\n<li>Luis eloy Puig mestres (vocal)<\/li>\n<li> Fernandez penafria rosario manuela Mar\u00eda (vocal)<\/li>\n<li>Mar\u00eda  Jos\u00e9 Martinez de pison ramon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ornelas Magalhaes Vitor Manuel La tesis ha tratado de incurrir sobre el concepto de interrupci\u00f3n, como base [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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