{"id":57516,"date":"2018-03-09T22:45:19","date_gmt":"2018-03-09T22:45:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/transgenero-aproximacion-a-una-imagen-obsesiva-en-el-siglo-de-las-luces\/"},"modified":"2018-03-09T22:45:19","modified_gmt":"2018-03-09T22:45:19","slug":"transgenero-aproximacion-a-una-imagen-obsesiva-en-el-siglo-de-las-luces","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/transgenero-aproximacion-a-una-imagen-obsesiva-en-el-siglo-de-las-luces\/","title":{"rendered":"Transg\u00e9nero: aproximaci\u00f3n a una imagen obsesiva en el siglo de las luces"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Ramon Jimenez Salcedo <\/strong><\/h2>\n<p>El objetivo de esta tesis ha sido analizar c\u00f3mo, en la literatura de finales del siglo xviii, se asiste a una producci\u00f3n exacerbada de textos relativos a la ambig\u00ed\u00bcedad sexual, en los que la dicotom\u00eda masculino-femenino parece ser puesta en duda. Para estudiar esta superaci\u00f3n de la norma, he utilizado, como instrumento metodol\u00f3gico, el concepto de actuaci\u00f3n transg\u00e9nero. Situ\u00e1ndome en una perspectiva de de construcci\u00f3n de g\u00e9nero, propongo la tesis de que la creaci\u00f3n de un imaginario literario de quebrantamiento de las dicotom\u00edas sexuales es en realidad la manera en la que la norma se conforta en sus principios. Teniendo en cuenta que la norma act\u00faa por reiteraci\u00f3n, el transg\u00e9nero no ser\u00eda m\u00e1s que una manera de poner en duda la norma partiendo de la norma misma, lo que mitiga en gran medida el alcance y el car\u00e1cter transgresor de esta puesta en duda.     para demostrarlo, he analizado un corpus de textos literarios situados, en lo que a fechas de publicaci\u00f3n se refiere, en las \u00faltimas d\u00e9cadas del siglo xviii, \u00e9poca en la que la explosi\u00f3n de representaciones de la sexualidad resulta m\u00e1s que evidente. He procedido estableciendo una tipolog\u00eda de personajes transg\u00e9nero recurrentes en la producci\u00f3n literaria. En un intento por proporcionar una perspectiva transversal y comparatista a la tesis, he optado por analizar un corpus compuesto principalmente de obras francesas, pero tambi\u00e9n de textos espa\u00f1oles de la misma \u00e9poca cuya tem\u00e1tica me parec\u00eda, de una u otra forma, concomitante con el tema de mi tesis, teniendo en cuenta, empero que las obras francesas se sit\u00faan en un espacio propio, el de la literatura libertina, del que no gozan las obras espa\u00f1olas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Transg\u00e9nero: aproximaci\u00f3n a una imagen obsesiva en el siglo de las luces<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Transg\u00e9nero: aproximaci\u00f3n a una imagen obsesiva en el siglo de las luces <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Ramon Jimenez Salcedo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/03\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lidia Vazquez Jimenez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Diego Martinez rosa de <\/li>\n<li>veronique Duchet-gavet (vocal)<\/li>\n<li>Jos\u00e9 ignacio Velazquez ezquerra (vocal)<\/li>\n<li>alfonso Suara s\u00e1nchez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Ramon Jimenez Salcedo El objetivo de esta tesis ha sido analizar c\u00f3mo, en la literatura de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,149,713,22854,12909],"tags":[127073,65707,7924,127071,2363,127072],"class_list":["post-57516","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-critica-de-textos","category-historia-de-la-literatura","category-historia-de-la-sociologia","category-pais-vasco-euskal-herriko-unibertsitatea","tag-alfonso-suara-sanchez","tag-diego-Martinez-rosa-de","tag-jose-ignacio-velazquez-ezquerra","tag-juan-ramon-jimenez-salcedo","tag-lidia-vazquez-jimenez","tag-veronique-duchet-gavet"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/57516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=57516"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/57516\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=57516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=57516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=57516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}