{"id":58121,"date":"2018-03-09T22:45:58","date_gmt":"2018-03-09T22:45:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ageing-corporealities-in-contemporary-english-fiction\/"},"modified":"2018-03-09T22:45:58","modified_gmt":"2018-03-09T22:45:58","slug":"ageing-corporealities-in-contemporary-english-fiction","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/ageing-corporealities-in-contemporary-english-fiction\/","title":{"rendered":"Ageing corporealities in contemporary english fiction"},"content":{"rendered":"

Tesis doctoral de Maricel Oro Piqueras <\/strong><\/h2>\n

Ageing corporealities in contemporary english fiction parte de la premisa que, a pesar del progresivo envejecimiento de la sociedad occidental, aumenta el n\u00famero de connotaciones negativas y contradicciones que envuelven la etapa vital que llamamos tercera edad. Hist\u00f3ricamente, el arte y la literatura occidentales han presentado la vejez como una etapa de p\u00e9rdida y dependencia. En la actualidad, una creciente cultura de consumo ha contribuido a bombardearnos con mensajes de juventud eterna con una amplia oferta de productos y t\u00e9cnicas. As\u00ed pues, el cuerpo que se mantiene joven se considera virtuoso mientras que el cuerpo envejecido se ha reafirmado como sin\u00f3nimo de esterilidad, enfermedad y dependencia. tomando el interaccionismo simb\u00f3lico como marco te\u00f3rico y veintis\u00e9is novelas de catorce autores ingleses contempor\u00e1neos conocidos por su trayectoria literaria, esta tesis pretende demostrar que las connotaciones negativas que envuelven el cuerpo envejecido se basan en creencias culturales – sin eximir el elemento biol\u00f3gico. El interaccionismo simb\u00f3lico, establecido por george mead y desenvolupado por herbert blumer, considera que la constante interacci\u00f3n entre las personas y los objetos que las rodean – otros seres, conceptos, materiales f\u00edsicos – contribuyen a la negociaci\u00f3n y creaci\u00f3n de cada uno de los significados que forman parte de nuestras vidas. La constante interacci\u00f3n entre la persona madura y la sociedad contribuye a que esta perciba que su cuerpo est\u00e1 cambiando y, en consecuencia, redefina las bases de su personalidad. no obstante, mike hepworth y mike feathearstone, entre otros estudiosos, han detectado una contradicci\u00f3n b\u00e1sica. Pese a que los cuerpos envejecen y la sociedad responde negativamente a estos cambios f\u00edsicos, la persona mayor continua sinti\u00e9ndose joven y activa. Hepworth y featherstone han dado a tal contradicci\u00f3n el nombre de the mask of ageing. Por otra parte, cuando la persona mayor intenta igualar su apariencia f<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abAgeing corporealities in contemporary english fiction<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 Ageing corporealities in contemporary english fiction <\/li>\n
  • Autor:<\/strong>\u00a0 Maricel Oro Piqueras <\/li>\n
  • Universidad:<\/strong>\u00a0 Lleida<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 23\/04\/2007<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Brian Worsfold<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: Mar\u00eda del perpetuo socorro Su\u00e1rez lafuente <\/li>\n
        • william Gray (vocal)<\/li>\n
        • Ballyn jenney susan penelope (vocal)<\/li>\n
        • nuria Casado gual (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Maricel Oro Piqueras Ageing corporealities in contemporary english fiction parte de la premisa que, a pesar del […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,2965,18842,628],"tags":[128416,33947,8923,128414,128417,128415],"class_list":["post-58121","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-lleida","category-teoria-analisis-y-critica-literarios","tag-ballyn-jenney-susan-penelope","tag-brian-worsfold","tag-maria-del-perpetuo-socorro-suarez-lafuente","tag-maricel-oro-piqueras","tag-nuria-casado-gual","tag-william-gray"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/58121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=58121"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/58121\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=58121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=58121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=58121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}