{"id":5823,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/critica-de-arte-condicionadora-del-gusto-la-consagracion-y-el-consumo-de-obras-de-arte-buenos-aires-1920-1930\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"critica-de-arte-condicionadora-del-gusto-la-consagracion-y-el-consumo-de-obras-de-arte-buenos-aires-1920-1930","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/critica-de-arte-condicionadora-del-gusto-la-consagracion-y-el-consumo-de-obras-de-arte-buenos-aires-1920-1930\/","title":{"rendered":"\u00abcritica de arte, condicionadora del gusto. la consagracion y el consumo de obras de arte. buenos aires 1920-1930\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Beatriz Wechsler Diana <\/strong><\/h2>\n<p>El objeto central de la tesis es la critica de arte publicada en los medios graficos de buenos aires durante el periodo 1920-30. Se trata de un espacio y tiempo especialmente rico para la observacion y analisis del impacto de la modernidad y las respuestas que esta genero en los intelectuales, en particular en artistas y criticos de arte. La hipotesis central busca verificar el rol de la critica de arte dentro del campo artistico del periodo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abcritica de arte, condicionadora del gusto. la consagracion y el consumo de obras de arte. buenos aires 1920-1930\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abcritica de arte, condicionadora del gusto. la consagracion y el consumo de obras de arte. buenos aires 1920-1930\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Beatriz Wechsler Diana <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Henares Cu\u00e9llar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Manuel Pita Andrade <\/li>\n<li>Sultana Wahn\u00f3n Bensusan (vocal)<\/li>\n<li>Catalina Cantarellas Camps (vocal)<\/li>\n<li>Mar\u00eda  Luisa Sobrino Manzanares (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Beatriz Wechsler Diana El objeto central de la tesis es la critica de arte publicada en los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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