{"id":58928,"date":"2007-11-06T00:00:00","date_gmt":"2007-11-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/verdad-en-la-farsa-teatro-social-en-los-centros-obreros-de-asturias-19001937\/"},"modified":"2007-11-06T00:00:00","modified_gmt":"2007-11-06T00:00:00","slug":"verdad-en-la-farsa-teatro-social-en-los-centros-obreros-de-asturias-19001937","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/verdad-en-la-farsa-teatro-social-en-los-centros-obreros-de-asturias-19001937\/","title":{"rendered":"Verdad en la farsa. teatro social en los centros obreros de asturias (19001937)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Antonia Mateos Martinez <\/strong><\/h2>\n<p>La tesis constituye un acercamiento a la historia, nombres, t\u00edtulos y caracter\u00edsticas de un fen\u00f3meno poco conocido: el teatro representado a lo largo de varias d\u00e9cadas por los cuadros art\u00edsticos de aficionados ligados al activo movimiento obrero asturiano. Tanto en los primeros centros obreros de principios del siglo xx como en las magn\u00edficas casas del pueblo de los a\u00f1os veinte y treinta, existieron espacios para la celebraci\u00f3n de una actividad teatral frecuente con la que se pretend\u00eda conjugar varios fines, desde cubrir econ\u00f3micamente las necesidades societarias o solidarias, hasta ofrecer una clase de ocio civilizado que alejara a los obreros de las tabernas o, finalmente, aportar con el tipo de teatro representado un mensaje ideol\u00f3gico de naturaleza did\u00e1ctica y propagand\u00edstica. Este \u00faltimo fin es el que interesa de forma esencial en la tesis, que aporta abundante informaci\u00f3n sobre t\u00edtulos y autores poco conocidos de un peculiar canon teatral obrero desigual y multiforme.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Verdad en la farsa. teatro social en los centros obreros de asturias (19001937)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Verdad en la farsa. teatro social en los centros obreros de asturias (19001937) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Antonia Mateos Martinez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/06\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Fern\u00e1ndez Insuela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: gregorio Torres nebrera <\/li>\n<li>Manuel Aznar soler (vocal)<\/li>\n<li>cesar Oliva olivares (vocal)<\/li>\n<li>Mar\u00eda no de Paco moya (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Antonia Mateos Martinez La tesis constituye un acercamiento a la historia, nombres, t\u00edtulos y caracter\u00edsticas de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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