{"id":59013,"date":"2018-03-09T22:46:53","date_gmt":"2018-03-09T22:46:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/fotografa%c2%ada-en-colombia-en-los-anos-70\/"},"modified":"2018-03-09T22:46:53","modified_gmt":"2018-03-09T22:46:53","slug":"fotografa%c2%ada-en-colombia-en-los-anos-70","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/fotografa%c2%ada-en-colombia-en-los-anos-70\/","title":{"rendered":"Fotograf\u00edaen colombia en los a\u00f1os 70"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Santiago Rueda Fajardo <\/strong><\/h2>\n<p>En la producci\u00f3n colombiana de la d\u00e9cada de 1970 en la que converg\u00edan la abstracci\u00f3n, el arte conceptual, el pop, el hiper realismo, el feismo y el arte pol\u00edtico, la fotograf\u00eda, que sirvi\u00f3 a los artistas d\u00e9 una manera in\u00e9dita ocupa un lugar menor en los estudios sobre ese periodo y se encuentra relegada, tanto dentro del campo de las artes pl\u00e1sticas como fuera de \u00e9l. Esta investigaci\u00f3n establece los principales g\u00e9neros y autores, desde una \u00f3ptica cargadamente interesada en la historia cultural y traza un panorama general con \u00e9nfasis en temas particulares, repasa los principales acontecimientos sociales, econ\u00f3micos y pol\u00edticos, y realiza una evaluaci\u00f3n de lo que fueron las artes viduales. Se estudian extensamente los principales fot\u00f3grafos de la decada &#8211; efra\u00edn garc\u00eda, jaime ardila, camilo lleras, fabio serrano y fernando urbina, entre otros-. Tambi\u00e9n se hace un mapa del campo fotogr\u00e1fico en general, ubicando las publicaciones, los concursos, las exposiciones, los clubes de fotograf\u00eda, equipos y materiales del momento, sus precios y disponibilidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fotograf\u00edaen colombia en los a\u00f1os 70<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fotograf\u00edaen colombia en los a\u00f1os 70 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Santiago Rueda Fajardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/06\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lourdes Cirlot Valenzuela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: anna Mar\u00eda Guasch ferrer <\/li>\n<li>Jos\u00e9 Baeza gallur (vocal)<\/li>\n<li>Alberto Estevez escalera (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Santiago Rueda Fajardo En la producci\u00f3n colombiana de la d\u00e9cada de 1970 en la que converg\u00edan la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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