{"id":59046,"date":"2018-03-09T22:46:53","date_gmt":"2018-03-09T22:46:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/archivo-y-memoria-femenina-los-textos-de-la-mujer-artista-durante-las-primeras-vanguardias-1900-1945\/"},"modified":"2018-03-09T22:46:53","modified_gmt":"2018-03-09T22:46:53","slug":"archivo-y-memoria-femenina-los-textos-de-la-mujer-artista-durante-las-primeras-vanguardias-1900-1945","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/archivo-y-memoria-femenina-los-textos-de-la-mujer-artista-durante-las-primeras-vanguardias-1900-1945\/","title":{"rendered":"Archivo y memoria femenina. los textos de la mujer artista durante las primeras vanguardias (1900-1945)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Nuria Rodr\u00edguez Calatayud <\/strong><\/h2>\n<p>Archivo y memoria femenina es un proyecto que quiere aportar al ecl\u00e9ctico espacio del arte, la voz escrita de las mujeres artistas, desde el inter\u00e9s y la fascinaci\u00f3n que siempre han suscitado en nosotros estos testimonios que certifican, por un lado, la existencia y el prestigio que obtuvieron algunas de ellas en distintas \u00e9pocas y por otro lado, y gracias a ellos, obtener informaci\u00f3n de primera mano sobre las reflexiones que genera la pr\u00e1ctica art\u00edstica desde la voz protagonista de los productores y productoras.  la estructura del trabajo en tres partes nos ha permitido presentar en primer lugar, una aproximaci\u00f3n al contexto de la ausencia de las mujeres en lo p\u00fablico, analizar el estereotipo femenino y detenernos en las precursoras que iniciaron la tarea de explicarse a trav\u00e9s del lenguaje escrito y del lenguaje visual. La segunda parte titulada: los textos de la mujeres artistas durante las primeras vanguardias, es una antolog\u00eda todav\u00eda in\u00e9dita en castellano de los escritos de las mujeres artistas, y para finalizar hemos creado un apartado de fuentes bibliogr\u00e1ficas incorporando una amplia relaci\u00f3n de los textos traducidos al castellano.  esta recopilaci\u00f3n nos ha permitido realizar un recorrido a trav\u00e9s de las tipolog\u00edas de los textos y conocer las ideas y conceptos de 21 mujeres artistas de las primeras vanguardias del siglo xx: maria blanchard, sonia delaunay, gabri\u00e9le m\u00ed\u00bcnter, marianne von werefkin, k\u00ed\u00a4the kollwitz, natalia goncharova, varvara stepanova, olga rozanova, nadezda udaltsova, alexandra exter, liubov popova, hannah h\u00ed\u00b6ch, unica zurn, meret oppenheim, claude cahun, frida kalho, leonora carrington, remedios varo, maruja mallo, georgia o\u00c2\u00bfkeefe y anni albers.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Archivo y memoria femenina. los textos de la mujer artista durante las primeras vanguardias (1900-1945)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Archivo y memoria femenina. los textos de la mujer artista durante las primeras vanguardias (1900-1945) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Nuria Rodr\u00edguez Calatayud <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/06\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lu\u00eds Armand Buend\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  bautista Peiro lopez <\/li>\n<li>Jes\u00fas Hernandez sanchez (vocal)<\/li>\n<li>evangelina Rodr\u00edguez cuadros (vocal)<\/li>\n<li>david P\u00e9rez rodrigo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Nuria Rodr\u00edguez Calatayud Archivo y memoria femenina es un proyecto que quiere aportar al ecl\u00e9ctico espacio del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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