{"id":5919,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/elementos-esteticos-y-pervivencia-de-las-formas-en-el-carnaval-de-ourense\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"elementos-esteticos-y-pervivencia-de-las-formas-en-el-carnaval-de-ourense","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/antropologia\/elementos-esteticos-y-pervivencia-de-las-formas-en-el-carnaval-de-ourense\/","title":{"rendered":"Elementos esteticos y pervivencia de las formas en el carnaval de ourense"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Arean Iglesias M. Rocio <\/strong><\/h2>\n<p>Investigacion sobre los elementos esteticos y la pervivencia de las formas de las diversas y variadas manifestaciones que presentan los ceremoniales que se celebran en toda la provincia de orense, donde el entroido (carnaval) tradicional de caracter puramente rural entronca en sus raices con remotismos cultos de origen pagano y agrario. Existen en esta provincia gran numero de ceremonias ademas de las famosas del \u00abtriangulo de oro\u00bb, famoso en todo el ambito carnavalesco: laza (poliqueiros), verin (cigarrons) y xinzo da limia (pantallas).  entre esas ceremonias unas perviven en toda su riqueza etnografica, otras estan en vias de recuperacion y, otras se han perdido de forma irremediable.  de todas se han recogido los testimonios mas antiguos que se conservan, tanto escritos como de transmision oral, asi como el testimonio grafico que documenta el estado actual de este rico universo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Elementos esteticos y pervivencia de las formas en el carnaval de ourense<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Elementos esteticos y pervivencia de las formas en el carnaval de ourense <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Arean Iglesias M. Rocio <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Luis Parra Supervia <\/li>\n<li>Jos\u00e9 Rosello Valle (vocal)<\/li>\n<li>Antonio Ramos Notario (vocal)<\/li>\n<li>Apolinar Meira Lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Arean Iglesias M. Rocio Investigacion sobre los elementos esteticos y la pervivencia de las formas de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[681,983,4592],"tags":[6564,22725,22722,22724,4367,22723],"class_list":["post-5919","post","type-post","status-publish","format-standard","hentry","category-antropologia","category-antropologia-cultural","category-danzas-y-fiestas","tag-antonio-ramos-notario","tag-apolinar-meira-lopez","tag-arean-iglesias-m-rocio","tag-jose-rosello-valle","tag-juan-fernando-de-la-iglesia-gonzalez-de-pereda","tag-luis-parra-supervia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=5919"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/5919\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=5919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=5919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=5919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}