{"id":59970,"date":"2018-03-09T22:47:49","date_gmt":"2018-03-09T22:47:49","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/dinamicas-de-la-ficcion-en-la-obra-de-narrativa-breve-de-pierre-louas-1870-1925\/"},"modified":"2018-03-09T22:47:49","modified_gmt":"2018-03-09T22:47:49","slug":"dinamicas-de-la-ficcion-en-la-obra-de-narrativa-breve-de-pierre-louas-1870-1925","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/dinamicas-de-la-ficcion-en-la-obra-de-narrativa-breve-de-pierre-louas-1870-1925\/","title":{"rendered":"Din\u00e1micas de la ficci\u00f3n en la obra de narrativa breve de pierre lou\u00c1\u00bfs (1870-1925)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Urz\u00e1iz Ram\u00edrez De Haro Isabel <\/strong><\/h2>\n<p>La presente tesis tiene por objeto el abordaje de uno de los sue\u00f1os simbolistas -hacer poes\u00eda de la prosa- desde el punto de vista de las modernas teor\u00edas de la ficci\u00f3n. Se trata de construir y defender un marco te\u00f3rico que permita evaluar el grado de inmersividad, en t\u00e9rminos de jean-mar\u00ede schaeffer, de un texto concebido a partir de dicho sue\u00f1o. Para ello, la autora de la tesis, tras determinar los elementos b\u00e1sicos del mecanismo de la ficci\u00f3n, propone una serie de factores que afectan al grado de inmversividad de la narrativa ficcional, y elabora un modelo de an\u00e1lisis te\u00f3rico que combina elementos de la narratolog\u00eda cl\u00e1sica con elementos de las modernos estudios de la realidad virtual, tal y como los propone, entre otros, mar\u00ede-laure ryan, que vincula el proceso de lectura de un texto de ficci\u00f3n con el proceso de inmersi\u00f3n en un mundo de realidad virtual. Dicho modelo de an\u00e1lisis se aplica a diecisiete relatos de pierre lou\u00ed\u00bfs (1870-1925), escritor del postsimbolismo franc\u00e9s cuya obra de narrativa breve ha sido pr\u00e1cticamente pasada por alto por la cr\u00edtica, y se extraen las correspondientes conclusiones. Previamente a la aplicaci\u00f3n del marco te\u00f3rico propuesto, la autora de la tesis lleva a cabo un necesario ex\u00e1men del momento en el que se concibieron y publicaron los relatos analizados, realizando un completo retrato del par\u00eds simbolista y postsimbolista de finales de los \u00faltimos a\u00f1os del xux y los primeros a\u00f1os del xx, y trazando en particular la trayectoria art\u00edstica -y existencial- que llev\u00f3 a pierre lou\u00ed\u00bfs a supeditar la poes\u00eda al tipo de prosa analizado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Din\u00e1micas de la ficci\u00f3n en la obra de narrativa breve de pierre lou\u00c1\u00bfs (1870-1925)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Din\u00e1micas de la ficci\u00f3n en la obra de narrativa breve de pierre lou\u00c1\u00bfs (1870-1925) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Urz\u00e1iz Ram\u00edrez De Haro Isabel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/07\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Del Prado Biezma Francisco Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Picazo gonz\u00e1lez Mar\u00eda dolores <\/li>\n<li>concepci\u00f3n P\u00e9rez p\u00e9rez (vocal)<\/li>\n<li>patricia Mart\u00ednez Garc\u00eda (vocal)<\/li>\n<li>alicia Mari\u00f1o espuelas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Urz\u00e1iz Ram\u00edrez De Haro Isabel La presente tesis tiene por objeto el abordaje de uno de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[132444,2408,53698,23761,132443,132442],"class_list":["post-59970","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-alicia-marino-espuelas","tag-concepcion-perez-perez","tag-del-prado-biezma-francisco-javier","tag-patricia-Martinez-garcia","tag-picazo-gonzalez-maria-dolores","tag-urzaiz-ramirez-de-haro-isabel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/59970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=59970"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/59970\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=59970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=59970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=59970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}