{"id":60413,"date":"2018-03-09T22:48:15","date_gmt":"2018-03-09T22:48:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estetica-cotidiana-analisis-en-el-arte-contemporaneo-1970-2000\/"},"modified":"2018-03-09T22:48:15","modified_gmt":"2018-03-09T22:48:15","slug":"estetica-cotidiana-analisis-en-el-arte-contemporaneo-1970-2000","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estetica-cotidiana-analisis-en-el-arte-contemporaneo-1970-2000\/","title":{"rendered":"Est\u00e9tica cotidiana: an\u00e1lisis en el arte contempor\u00e1neo: 1970-2000"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ruth Zaragoza Sanchis <\/strong><\/h2>\n<p>En la tesis doctoral est\u00e9tica cotidiana: an\u00e1lisis en el arte contempor\u00e1neo: 1970-2000, nos hemos centrado en el estudio de la identidad, el g\u00e9nero y el cuerpo como principio de estudio. Abarcando principalmente el arte contempor\u00e1neo y la sociolog\u00eda de g\u00e9nero que nace alrededor de la d\u00e9cada de los setenta;   hemos planteando y cuestionando las relaciones de poder que discriminan dentro del hogar, abriendo una investigaci\u00f3n en el campo de disciplinas c\u00f3mo la est\u00e9tica, historia del arte, psicolog\u00eda, antropolog\u00eda, sociolog\u00eda .   hemos podido observar que en occidente tendemos a creer en unas categor\u00edas establecidas, unos c\u00f3digos y unos c\u00e1nones que nos vienen impuestos por el peso de la historia. Diferentes corrientes de pensamiento c\u00f3mo las teor\u00edas feministas describen el punto de vista de la mujer, en el que la teor\u00eda de la diferencia, la desigualdad y la opresi\u00f3n mantienen a los hombres en una relaci\u00f3n de poder frente a las mujeres. Destacaremos el trabajo de las cr\u00edticas  simone de beauvoir, pasando por las de judith butler o luce irigaray y que conectan con el trabajo de pierre bourdieu y gilles lipovetsky d\u00f3nde nos plantean y critican la dominaci\u00f3n masculina c\u00f3mo patr\u00f3n o modelo de relaciones sociales en la sociedad contempor\u00e1nea.  por ello en esta investigaci\u00f3n partiremos hacia el encuentro de las huellas entre arte y vida a trav\u00e9s de la construcci\u00f3n de la identidad y el g\u00e9nero a partir de los elementos de uso cotidiano. La problem\u00e1tica principal es hacer visible lo invisible, retomando \u00ablo personal es pol\u00edtico\u00bb y transform\u00e1ndolo en un nueva manera plantear-lo, \u00ablo dom\u00e9stico es est\u00e9tico\u00bb. Relatando esta investigaci\u00f3n a trav\u00e9s de artistas que parten desde este punto de vista.  el objetivo principal de la tesis consist\u00eda en distinguir las caracter\u00edsticas fundamentales del g\u00e9nero e identidad en el arte occidental y como se reflejan en las construcciones sociales y culturales. Hemos constatado que existe una divisi\u00f3n<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Est\u00e9tica cotidiana: an\u00e1lisis en el arte contempor\u00e1neo: 1970-2000<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Est\u00e9tica cotidiana: an\u00e1lisis en el arte contempor\u00e1neo: 1970-2000 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ruth Zaragoza Sanchis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/09\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Bautista Peiro Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pilar Palomer mateos <\/li>\n<li>consuelo Matesanz p\u00e9rez (vocal)<\/li>\n<li> R\u00edos palomares Miguel \u00e1ngel (vocal)<\/li>\n<li>antonia Coll florit (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ruth Zaragoza Sanchis En la tesis doctoral est\u00e9tica cotidiana: an\u00e1lisis en el arte contempor\u00e1neo: 1970-2000, nos hemos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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