{"id":6047,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/el-signo-en-la-pintura-china-de-las-dinastias-ming-y-qing\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"el-signo-en-la-pintura-china-de-las-dinastias-ming-y-qing","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-signo-en-la-pintura-china-de-las-dinastias-ming-y-qing\/","title":{"rendered":"El signo en la pintura china de las dinastias ming y qing"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuela Dominguez Culebras <\/strong><\/h2>\n<p>Dada la necesidad de contar con una profunda estructuracion de los signos que lleva implicita la pintura china de las dinastias ming y qing, teniendo en cuenta el enriquecimiento que suponen sus logros para todo pintor, investigador, historiador y\/o artista plastico en general, se ha realizado, mediante una vision personal, una investigacion que contempla las siguientes etapas:  primera parte: introduccion al signo. El signo en occidente y el signo en extremo oriente: china.  acercandose al pensamiento filosofico-religioso, politico y moral, y resaltando la extrema importancia de las tres vias mayoritarias: confucionismo, buddhismo y taoismo, sacando a la luz la importancia del signo y el simbolo en confucio, del signo y la palabra en lao tse y de los signos en la pintura budhista.  segunda parte: se ha establecido una guia estructural personalizada para el reconocimiento de los diferentes signos partiendo de una definicion universal del signo hasta llegar a lo que es el signo en la pintura china ming y qing, que se ha contemplado desde tres subconjuntos fundamentales: tiempo, espacio y materia.  tercera parte: conclusiones; el signo se constituye en presencia viva, ontologica y cosmologica del ser y del orden universal, no por accidente sino como potencia magica llena de sabiduria, sacralidad y valor estetico; horizonte infinito de libertad y de etica ecologica. Y son estos signos los que manifiestan unos ciclos de vida-muerte y nuevas vidas o reencarnaciones plasticas, tecnicas y conceptuales, a traves del tiempo, el espacio y la materia, que aglutinan en su estructura todo el saber de las dinastias anteriores, erigiendose en puente hacia la contemporaneidad occidental como forma original de arte abstracto, atajando la distancia que ha existido entre china y occidente, en aras de continuar profundizando en un conocimiento que incorpora la sabiduria y la experiencia adquirida desde ambos lados del sol para redundar en benefici<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El signo en la pintura china de las dinastias ming y qing<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El signo en la pintura china de las dinastias ming y qing <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuela Dominguez Culebras <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Parralo Dorado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas Rodr\u00edguez S\u00e1nchez <\/li>\n<li>Carlos Velilla Lon (vocal)<\/li>\n<li>Jes\u00fas Vi\u00f1uales Gonzalez (vocal)<\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuela Dominguez Culebras Dada la necesidad de contar con una profunda estructuracion de los signos que lleva [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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