{"id":60618,"date":"2018-03-09T22:48:25","date_gmt":"2018-03-09T22:48:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estructural-empresarial-del-mercado-cinematografico-espanol-1991-2005\/"},"modified":"2018-03-09T22:48:25","modified_gmt":"2018-03-09T22:48:25","slug":"estructural-empresarial-del-mercado-cinematografico-espanol-1991-2005","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estructural-empresarial-del-mercado-cinematografico-espanol-1991-2005\/","title":{"rendered":"Estructural empresarial del mercado cinematogr\u00e1fico espa\u00f1ol. 1991-2005"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ruiz Molina Amelia Nieves <\/strong><\/h2>\n<p>El objetivo principal de la investigaci\u00f3n es el conocimiento de la estructura empresarial cinematogr\u00e1fica que se ha ido consolidando en espa\u00f1a desde 1991 hasta 2005, centr\u00e1ndose en los tres sectores principales, producci\u00f3n, distribuci\u00f3n y exhibici\u00f3n que configuran la industria. Se parte de una an\u00e1lisis de la situaci\u00f3n cinematogr\u00e1fica internacional en general, as\u00ed como de europa y estados unidos en particular. Para conocer el sistema econ\u00f3mico actual en espa\u00f1a se analizan los tipos de productos audiovisuales que se est\u00e1n realizando actualmente para pasar a evaluar la situaci\u00f3n de la distribuci\u00f3n como principal motor del cambio, as\u00ed como todos los problemas actuales generados por la presencia de capital norteamericano, y el origen y funcionamiento de las principales empresas distribu\u00eddas. Son numerosas las f\u00f3rmulas de distribuci\u00f3n que est\u00e1n entrando a formar parte del modus operandi de las majors, y que parecen estar perjudicando a los mercados nacionales. Estos cambios afectan asimismo al mercado videogr\u00e1fico al que se hace un acercamiento. El sector de la exhibici\u00f3n cinematogr\u00e1fica, tradicionalmente en manos de capital espa\u00f1ol presenta unas caracter\u00edsticas concretas que est\u00e1n tambi\u00e9n transform\u00e1ndose como resultado de las nuevas formas de consumo, los nuevos locales de exhibici\u00f3n y los problemas generados por la incorporaci\u00f3n del digital a la producci\u00f3n. Como resultado de los cambios que lo rodean la estructura empresarial del sector de la producci\u00f3n de cine est\u00e1 en plena transformaci\u00f3n, por lo que partiendo de las teor\u00edas de an\u00e1lisis se ha hecho un seguimiento del desarrollo que presenta, conociendo las caracter\u00edsticas de los principales empresas productoras que componen la industria nacional. Como conclusi\u00f3n se plantea que la industria cinematogr\u00e1fica espa\u00f1ola se encuentra en pleno desarrollo y posee las herramientas necesarias para convertirse en una potencia internacional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estructural empresarial del mercado cinematogr\u00e1fico espa\u00f1ol. 1991-2005<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estructural empresarial del mercado cinematogr\u00e1fico espa\u00f1ol. 1991-2005 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ruiz Molina Amelia Nieves <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/09\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Concepci\u00f3n Calvo Herrera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Garc\u00eda Garc\u00eda <\/li>\n<li>pilar Y\u00e9benes cort\u00e9s (vocal)<\/li>\n<li>isidoro Arroyo almaraz (vocal)<\/li>\n<li>vicente Pe\u00f1a timon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ruiz Molina Amelia Nieves El objetivo principal de la investigaci\u00f3n es el conocimiento de la estructura empresarial [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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